surrealism

A Girl in Exile

A New York Times Book Review Editors’ Choice

During the bureaucratic machinery of Albania’s 1945–1991 dictatorship, playwright Rudian Stefa is called in for questioning by the Party Committee. A girl—Linda B.—has been found dead, with a signed copy of his latest book in her possession.

He soon learns that Linda’s family, considered suspect, was exiled to a small town far from the capital. Under the influence of a paranoid regime, Rudian finds himself swept along on a surreal quest to discover what really happened to Linda B.

“Erotic, paranoiac and lightly fantastical.” —The Wall Street Journal

“Comparisons to Kafka are inevitable, but there’s also some Joseph Heller here. Kadare successfully renders Big Brother . . . A poignant narrative about exile.” —Publishers Weekly

“Myth and dream, memory and repression, all converge as the novel illuminates the essence of art in totalitarian Albania. An author respected throughout Europe should reach a wider American readership with this subversive novel.” —Kirkus Reviews

(A special thank you to book club member, Anna Ruth for the suggestion.)

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Moving Parts

Winner, English PEN Translates Award

Selected by Asymptote for September World Book Club

Surreal and puncturing short stories from the Thai master of the form.

In a pink-walled motel, a teenage prostitute brings a grown man to tears. A love-struck young boy holds the dismembered hand of his crush, only to find himself the object of a complex ménage à trois. A naked body falls from the window of a twenty-story building, while two female office-workers offer each other consolation in the elevator…

In these wry and unsettling stories, Prabda Yoon once again illuminates something of the strangeness of modern cultural life in Bangkok. Disarming the reader with surprising charm, intensity and delicious horror, he explores what it means to have a body, and to interact with those of others.

“Sleek, supple and soaring – in this extraordinary translation, Prabda Yoon’s stories command your attention” — Eley Williams

“[Moving Parts] finds truth at the intersection of the absurd and the morbid” — Asymptote

“Scrappy, playful and morbid…. [Moving Parts] is a brilliant, surreal portrait of the Thai capital…: an alienated city with a cartoon-creepy vibe, shiny and dilapidated.” — White Review

“In Moving Parts, Prabda Yoon has created an essential imaginary of the twenty-first century metropolis; drily funny and deeply felt, vivid and vertiginous.” — David Hayden

“Yoon’s masterful stories unfold the drama of modern life, with all the stylistic resonances of the miraculous.” — Eka Kurniawan

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I the Supreme

I the Supreme imagines a dialogue between the 19th Paraguayan dictator known as Dr. Francia and Policarpo Patiño, his secretary and only companion. The opening pages present a sign that they had found nailed to the wall of a cathedral, purportedly written by Dr. Francia himself ordering the execution of all of his servants upon his death. This sign is quickly revealed to be a forgery, which takes leader and secretary into a larger discussion about the nature of truth: “In the light of what Your Eminence says, even the truth appears to be a lie.”

Their conversation broadens into an epic journey of the mind, stretching across the colonial history of their nation, filled with surrealist imagery, labyrinthine turns, and footnotes supplied by a mysterious “compiler.” A towering achievement from a foundational author of modern Latin American literature, I the Supreme is a meditation on power and its abuse—and on the role of language through the author’s own verbal invention.

“A text of a verbal density that recalls the later James Joyce. . . . Roa Bastos’s novel has challenged and fascinated thousands of readers around the world.” —LA Times

“Passages reverberate with surrealism—peopled with dwarves, women warriors and clairvoyant animals… However cumbersome and rhetorical I the Supreme may often feel, the novel remains a prodigious meditation not only on history and power, but also on the nature of language itself.” —The NY Times

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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Flowers of Mold

“If you're looking for a book that will make you gasp out loud, you’ve found it.” —Kirkus Reviews

“This impressive collection reveals Ha’s close attention to the eccentricities of life, and is sure to earn her a legion of new admirers.” —Publishers Weekly

“Joining a growing cohort of notable Korean imports, Ha’s dazzling, vaguely intertwined collection of 10 stories is poised for Western acclaim.” —Booklist

On the surface, Ha Seong-nan’s stories seem pleasant enough, yet there’s something disturbing just below the surface, ready to permanently disrupt the characters’ lives.

A woman meets her next-door neighbor and loans her a spatula, then starts suffering horrific gaps in her memory. A man, feeling jilted by an unrequited love, becomes obsessed with sorting through his neighbors’ garbage in the belief that it will teach him how to better relate to people. A landlord decides to raise the rent, and his tenants hatch a plan to kill him at a team-building retreat.

In ten captivating, unnerving stories, Flowers of Mold presents a range of ordinary individuals—male and female, young and old—who have found themselves left behind by an increasingly urbanized and fragmented world.

The latest in the trend of brilliant female Korean authors to appear in English, Ha cuts like a surgeon, and even the most mundane objects become menacing and unfamiliar under her scalpel.

(Group read suggestion from Ivor Watkins, book club moderator.)

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I Have the Right to Destroy Myself

“A mesmerizing novel of a love triangle and a mysterious disappearance in South Korea.” —Booklist

In the fast-paced, high-urban landscape of Seoul, C and K are brothers who have fallen in love with the same woman—Se-yeon—who tears at both of them as they all try desperately to find real connection in an atomized world. A spectral, nameless narrator haunts the edges of their lives as he tells of his work helping the lost and hurting find escape through suicide.

Dreamlike and beautiful, the South Korea brought forth in this novel is cinematic in its urgency and its reflection of contemporary life everywhere—far beyond the boundaries of the Korean peninsula. Recalling the emotional tension of Milan Kundera and the existential anguish of Bret Easton Ellis, I Have the Right to Destroy Myself achieves its author’s greatest wish—to show Korean literature as part of an international tradition. Young-ha Kim is a young master, the leading literary voice of his generation.

(A special thank you to book club member, Nicole Viola Hinz-Schouwstra for the group read suggestion.)

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The Impossible Fairy Tale

“This transfixing experimental novel questions where sleep ends and books begin, a concept borrowed from Maurice Blanchot while the atmosphere of nightmarish dread and penetrating weirdness recalls a David Lynch film.” —Publishers Weekly

One of World Literature Today's 75 Notable Translations of 2017

The Impossible Fairy Tale is the story of two unexceptional grade-school girls. Mia is “lucky”—she is spoiled by her mother and, as she explains, her two fathers. She gloats over her exotic imported colored pencils and won’t be denied a coveted sweater. Then there is the Child who, by contrast, is neither lucky nor unlucky. She makes so little impression that she seems not even to merit a name.

At school, their fellow students, whether lucky or luckless or unlucky, seem consumed by an almost murderous rage. Adults are nearly invisible, and the society the children create on their own is marked by cruelty and soul-crushing hierarchies. Then, one day, the Child sneaks into the classroom after hours and adds ominous sentences to her classmates’ notebooks. This sinister but initially inconsequential act unlocks a series of events that end in horrible violence.

But that is not the end of this eerie, unpredictable novel. A teacher, who is also this book’s author, wakes from an intense dream. When she arrives at her next class, she recognizes a student: the Child, who knows about the events of the novel’s first half, which took place years before. The Impossible Fairy Tale is a fresh and terrifying exploration of the ethics of art making and of the stinging consequences of neglect.

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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Firefly

“Firefly is a dream-like evocation of pre-war Cuba, replete with hurricanes, mystical cults, and slave-markets. The story is the coming-of-age of a precocious and exuberant boy with an oversized head and underdeveloped sense of direction, who views the world as a threatening conspiracy. Told in breathless and lyrical prose, the novel is a loving rendition of a long-lost home, a meditation on exile, and an allegory of Cuba’s isolation in the world.”

“The penultimate novel by Sarduy. This book would seem to be a translator’s nightmare, but Fried has maintained the dark beauty and mystery of the work. Sarduy’s circuslike world takes some getting used to …the narrative takes the first of many surreal turns in the first chapter [and soon after], the story loses any linear coherence it has, but the flow of images is dazzling and ultimately quite haunting.” - Kirkus Reviews

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The Trial

A new translation based on the restored text from the Schocken Kafka Library!

“Written in 1914, The Trial is one of the most important novels of the twentieth century: the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, Kafka's nightmare has resonated with chilling truth for generations of readers. This new edition is based upon the work of an international team of experts who have restored the text, the sequence of chapters, and their division to create a version that is as close as possible to the way the author left it.

In his brilliant translation, Breon Mitchell masterfully reproduces the distinctive poetics of Kafka's prose, revealing a novel that is as full of energy and power as it was when it was first written.”

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Not Without Flowers

In this contemporary work of women's fiction tinged with surrealism, Not Without Flowers provides insight into aspects of Ghanaian culture many readers may be unfamiliar with—polygamy along with the poor treatment of mental health & HIV.

"Amma Darko tells the story of women in Africa: here it is—misery, pain, agony, dilemmas, and frustrations. She floats the reader on a world of inverted reality, which yet becomes the norm. With creative imagination, confronting the social realities, she seeks out the world of peace and tranquility. But not without verisimilitude. The extremes of moral turpitude beget horrid outcomes, leaving suspense rather than resolution. 

Amma Darko is one of the most significant contemporary Ghanaian literary writers."

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The Complete Stories

"'An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic, numinous, and prophetic.' —The New York Times

The Complete Stories brings together all of Kafka’s stories, from the classic tales such as The Metamorphosis, In the Penal Colony, and A Hunger Artist to shorter pieces and fragments that Max Brod, Kafka’s literary executor, released after Kafka’s death. With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume."

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