Czech Republic

The Wall

A NY Times Bestseller & multi award-winning book

”I was born at the beginning of it all, on the Red side—the Communist side—of the Iron Curtain." Through annotated illustrations, journals, maps, and dreamscapes, Peter Sís shows what life was like for a child who loved to draw, proudly wore the red scarf of a Young Pioneer [a youth Marxist-Leninist organization in communist Czechoslovakia], stood guard at the giant statue of Stalin, and believed whatever he was told to believe. But adolescence brought questions. Cracks began to appear in the Iron Curtain, and news from the West slowly filtered into the country. Sís learned about beat poetry, rock 'n' roll, blue jeans, and Coca-Cola. He let his hair grow long, secretly read banned books, and joined a rock band. Then came the Prague Spring of 1968, and for a teenager who wanted to see the world and meet the Beatles, this was a magical time. It was short-lived, however, brought to a sudden and brutal end by the Soviet-led invasion. But this brief flowering had provided a glimpse of new possibilities—creativity could be discouraged but not easily killed.

By joining memory and history, Sís takes us on his extraordinary journey: from infant with paintbrush in hand to young man borne aloft by the wings of his “glorious artwork” (Elle) which “makes for irresistible reading.” (Washington Post Book World)

“A masterpiece for readers young and old.” —Starred, Kirkus Reviews

“A powerful combination of graphic novel and picture book . . . Terrific design dramatizes the conflict between conformity and creative freedom.” —Starred, Booklist

“Sís, who has entranced children and adults with his magical stories and drawings, has taken his talent to a new level. Peter, born to dream and draw, is now also teaching the tragic history of his native land under communism in this beautiful, poignant, and important work for those of all ages. ” —Madeleine Albright, former U.S. Sec of State

(A special thank you to book club member, Sarah Jean for the book suggestion.)

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Note: Whether you read the book with a child or on your own, it’s a quick read so we added on a 29-minute dramatic Czech film nominated for an Academy Award entitled “Most” aka “The Bridge”. (Free on YouTube with closed captions here.)

Trailer:

Bringing Up Girls in Bohemia

This slim but dense novel is the story of a middle-aged teacher who is employed by a local Mafia boss to teach his drop-out 20-year-old daughter some creative writing.

Beata embraces lover after lover as well as political causes new to Eastern Europe: the environment, animal rights, feminism, consumerism, new-age religion. The book gives a gritty but witty portrait of today's Prague, its mafiosi and their ex-secret police bodyguards, the expatriate Americans, and many an extraordinary Czech, from a cremation enthusiast to a hopelessly naïve sex-education teacher.

The narrator, himself a writer and teacher who is in love with Beata, must portray her fate in terms that explain her nihilism without losing faith in his own positive craft of story-telling.

The unusual structure of the book, with its many post-modernist quotes from other writers, also serves as a serious exploration of the changed role of the writer in Central and Eastern Europe today. This comical-tragical-sexual tale is told in the best Czech tradition of Milan Kundera, Ivan Klíma, Bohumil Hrabal and Ludvík Vaculík.

“Brilliant satire of modern-day Prague.” —ALA Booklist

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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The Castle

Kafka's final novel was written during 1922, when the tuberculosis that was to kill him was already at an advanced stage. Left unfinished by Kafka and not published until 1926, two years after his death, The Castle is the haunting tale of K.’s relentless, unavailing struggle with an inscrutable authority in order to gain access to the Castle.

Scrupulously following the fluidity and breathlessness of the sparsely punctuated original manuscript, Mark Harman’s new translation reveals levels of comedy, energy, and visual power previously unknown to English language readers.

Like much of Kafka's work, The Castle is enigmatic and polyvalent. Is it an allegory of the sprawling Austro-Hungarian Empire as it disintegrates into modern nation states, or a quasi-feudal system giving way to a new freedom for the subject? Is it the search by a central European Jew for acceptance and integration into a dominant culture? Is it a spiritual quest for grace or salvation, or an individual's struggle between his sense of independence and his need for approval? Is K. is an opportunist, a victim, or an outsider battling against an elusive authority? Is the Castle a benign source of authority or a whimsical system of control?

Like K., the reader is presented with conflicting perspectives that rehearse the existential dilemmas and uncertainties of literary modernity.

“[Harman’s translation is] semantically accurate to an admirable degree, faithful to Kafka’s nuances, and responsive to the tempo of his sentences and to the larger music of his paragraph construction. For the general reader or for the student, it will be the translation of preference for some time to come.” —The New York Review of Books

Note: The translation by Mark Harman is the one we recommend.

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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Helga’s Diary

Anne Frank's harrowing account finished before the concentration camp. This remarkable diary by a teenage girl takes readers inside.

Alongside her father and mother and the 45,000 Jews who live in Prague, Helga endures the Nazi invasion and regime: her father is denied work, schools are closed to her, she and her parents are confined to their flat. Then deportations begin, and her friends and family start to disappear.

In 1941, Helga and her parents are sent to the concentration camp of Terezín, where they live for three years. Here Helga documents their daily life—the harsh conditions, disease and suffering, as well as moments of friendship, creativity and hope—until, in 1944, they are sent to Auschwitz. Helga leaves her diary behind with her uncle, who bricks it into a wall to preserve it.

Helga's father is never heard of again, but miraculously Helga and her mother survive the horrors of Auschwitz, the grueling transports of the last days of the war, and manage to return to Prague. Helga writes down her experiences since Terezín, completing the diary. Out of the 15,000 children interred in Terezin, she is 1 of just 132 children who survived.

Reconstructed from her original notebooks, which were later retrieved from Terezín, and from the loose-leaf pages on which Helga wrote after the war, the diary is presented here in its entirety, accompanied by an interview with Helga and illustrated with the paintings she made during her time at Terezín. As such, Helga's Diary is one of the most vivid and comprehensive testimonies written during the Holocaust ever to have been recovered.

“The most moving Holocaust diary published since Anne Frank.” —The Telegraph

“A breathtaking account…a chilling testament to the tragedy of the Holocaust.”
—Publishers Weekly

“What's startling throughout is the resilience with which her buoyant spirit keeps bobbing up past the hardships, indignities, and cruelties.” —Francine Prose

“Page after page of writing that candidly, expertly, showcases humanity at its best and its worst.” —The Rumpus

(Group read suggestion from Beth McCrea, book club co-founder.)

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My Crazy Century

Ivan Klíma, “a writer of enormous power and originality” (The NY Times Book Review), has penned an intimate autobiography that explores his life under Nazi and Communist regimes. More than a memoir, My Crazy Century explores the ways in which the epoch and its dominating totalitarian ideologies impacted the lives, character, and morality of Klíma’s generation.

Klíma’s story begins in the 1930s, in the Terezin concentration camp outside of Prague, where he was forced to spend almost four years of his childhood. These political events form the backdrop to Klíma’s personal experiences, with the arrest and trial of his father; the early revolt of young writers against socialist realism; his first literary successes; and his travels to the free part of Europe, which strengthened his awareness of living as part of a colossal lie.

Klíma also captures the brief period of liberation during 1968’s Prague Spring, in which he played an active role; the Soviet invasion that crushed its political reforms; the rise of the dissident movement; and the collapse of the Communist regime in the middle of the Velvet Revolution of 1989.

“[An] absorbing memoir . . . The author relates all this with a mordant humor and a limpid prose that registers both the overt fear that repression engenders and the subtler moral corruptions it works in victims and perpetrators. . . . Klíma’s searching exploration of a warped era is rich in irony—and dogged hope.” —Publishers Weekly

“My Crazy Century is the prizewinning memoir of a writer who, deprived of freedom for much of this life, never ceased to be free in his imagination, creativity, and art. Neither Nazi nor Communist rulers could rob Ivan Klíma of his amazing ability—and fierce determination—to distill drops of truth from the sea of experience. Klíma was a witness, and participant, in the most dramatic events in twentieth century Europe. This is his story, brilliantly, wittily and poignantly told.” —Secretary Madeleine Albright

(Group read suggestion from Beth McCrea, book club co-founder.)

Note: Because this book is longer than our usual reads, an additional month will be given to read it if it is chosen.

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Spaceman of Bohemia

“A love song to Prague....Funny, humane and oddly down-to-earth in ways that its scenario cannot possibly convey. With its lessons in Czech history/culture and interplanetary shenanigans, this zany satirical debut is bursting at the seams and should win many fans.” (Guardian)

Orphaned as a boy, raised in the Czech countryside by his doting grandparents, Jakub Prochvozka has risen from small-time scientist to become the country's first astronaut. When a dangerous solo space mission offers him both the chance at heroism he's dreamt of, and a way to atone for his father's sins as a Communist informer, he ventures boldly into the vast unknown. But in so doing, he leaves behind his devoted wife, Lenka, whose love, he realizes too late, he has sacrificed on the altar of his ambitions.

Alone in deep space, Jakub discovers a possibly imaginary giant alien spider, who becomes his unlikely companion. Over philosophical conversations about the nature of love, life and death, and the deliciousness of bacon, the pair form an intense and emotional bond. Will it be enough to see Jakub through a clash with secret Russian rivals and return him safely to Earth?

Rich with warmth and suspense and surprise, Spaceman of Bohemia is an exuberant delight from start to finish. Very seldom has a novel this profound taken readers on a journey of such boundless entertainment and sheer fun.

”In Kalfar's zany novel . . . the spaceman, the alien, and the rest of the book's extravagant conceptual furniture are merely metaphors for the human-scale issues that are its real concerns, in particular the collapse of Jakub's marriage. That's not to say Kalfar hasn't done his research. There are lovingly detailed passages on life in zero gravity, but all the whizzy space business is harnessed to the basic question of what it means to leave and whether it's possible to come back. The alien acts as a Proustian trigger for Jakub's memories . . . But for all the strangeness of outer space, it is the writing about his home, the place to which he longs to return and perhaps never can, that beats strongest in this wry, melancholy book.” —NY Times Book Review

”The best, most enjoyably heartbreaking, most fun book you'll read this year. On the surface, you'll see affinities with Gary Shteyngart, with The Martian, with Kelly Link. But Jaroslav Kalfar's voice is entirely his own. I beg you: take this strange, hilarious, profound, life-affirming trip into literary outer space.” —Library Journal

(A special thank you to book club member, Elke Richelsen for the suggestion.)

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The Trial

A new translation based on the restored text from the Schocken Kafka Library!

“Written in 1914, The Trial is one of the most important novels of the twentieth century: the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, Kafka's nightmare has resonated with chilling truth for generations of readers. This new edition is based upon the work of an international team of experts who have restored the text, the sequence of chapters, and their division to create a version that is as close as possible to the way the author left it.

In his brilliant translation, Breon Mitchell masterfully reproduces the distinctive poetics of Kafka's prose, revealing a novel that is as full of energy and power as it was when it was first written.”

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The Unbearable Lightness of Being

"Kundera has raised the novel of ideas to a new level of dreamlike lyricism and emotional intensity." -Newsweek

“A young woman in love with a man torn between his love for her and his incorrigible womanizing; one of his mistresses and her humbly faithful lover—these are the two couples whose story is told in this masterful novel. In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence, we feel ‘the unbearable lightness of being’ not only as the consequence of our pristine actions but also in the public sphere, and the two inevitably intertwine.”

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The Complete Stories

"'An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic, numinous, and prophetic.' —The New York Times

The Complete Stories brings together all of Kafka’s stories, from the classic tales such as The Metamorphosis, In the Penal Colony, and A Hunger Artist to shorter pieces and fragments that Max Brod, Kafka’s literary executor, released after Kafka’s death. With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume."

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