South Korea

The Story of Hong Gildong

The quintessential Korean classic: the Robin Hood story of a magical boy who joins a group of robber bandits and becomes a king.

Selected as a Best Book of the Year by NPR and The Washington Post

The Story of Hong Gildong is arguably the single most important work of classic Korean fiction. A fantastic story of adventure, it has been adapted into countless movies, television shows, novels, and comics in Korea. Until now, the earliest and fullest text of this incredible fable has been inaccessible to English readers.
 
Hong Gildong, the brilliant but illegitimate son of a noble government minister, cannot advance in society due to his second-class status, so he leaves home and becomes the leader of a band of outlaws. On the way to building his own empire and gaining acceptance from his family, Hong Gildong vanquishes assassins, battles monsters, and conquers kingdoms. Minsoo Kang’s expressive and lively new translation finally makes the authoritative text of this premodern tale available in English, reintroducing a noble and righteous outlaw and sharing a beloved hallmark of Korean culture.

“Hong Gildong is an iconic figure in the Korean literary canon…He’s the mythic center of a sometimes-delightful, sometimes-unsettling tale, and it’s time the Western world gets to know him.” —NPR

“[A] marvel-filled swashbuckler…Besides being half fairy tale, half social protest novel, The Story of Hong Gildong possesses a profound resonance for modern Koreans.” —The Washington Post

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At Least We Can Apologize

“The Korean apology is satirized to harrowing effect in the darkly comic book.” —The New Yorker

“Flying out of far left field like some crazed winged gecko and climbing the padded walls in a white straitjacket, the twisted world of Lee Kiho's At Least We Can Apologize hits you like a bucket of cold water… To a modern Western reader, the sheer physicality of Lee Kiho's world can be a shock. Physical barbarity seeps through the paragraphs like sweat through a rag.” —Korea.net

This satirical story focuses on an agency whose only purpose is to offer apologies—for a fee—on behalf of its clients. This seemingly insignificant service leads us into an examination of sin, guilt, and the often irrational demands of society.

Jin-man and Si-bong live at “the institution,” a disreputable mental ward that doubles as a sock-packaging plant. Fluorescent lights burn 24 hours a day and the staff subdues residents with pills. “When I first entered the institution I was beaten almost daily,” Jin-man recounts. “I was beaten in the morning, beaten at lunchtime, and beaten before bed.” As he goes through the menu of brutality, a certain giddiness sets in. But falsely confessing to random wrongdoing—swearing at their superiors, throwing out medication—results in milder punishment, so Jin-man and Si-bong learn to game the system.

A kaleidoscope of minor nuisances and major grievances, this novel heralds a new comic voice in Korean letters.

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The Good Son

“Ingeniously twisted.” —Entertainment Weekly, “Must List”

“Will leave even the most seasoned crime fiction readers guessing.” —CrimeReads

“[Jeong] maintains suspense about her inhuman-seeming protagonist’s fate until the bitter end.” —The Wall Street Journal

The Talented Mr. Ripley meets The Bad Seed in this breathless, chilling psychological thriller by the #1 bestselling novelist known as “Korea’s Stephen King” 

Who can you trust if you can’t trust yourself?
 
Early one morning, 26 year-old Yu-jin wakes up to a strange metallic smell, and a phone call from his brother asking if everything’s all right at home—he missed a call from their mother in the middle of the night. Yu-jin soon discovers her murdered body, lying in a pool of blood at the bottom of the stairs of their stylish Seoul duplex. He can’t remember much about the night before; having suffered from seizures for most of his life, Yu-jin often has trouble with his memory. All he has is a faint impression of his mother calling his name. But was she calling for help? Or begging for her life?
 
Thus begins Yu-jin’s frantic three-day search to uncover what happened that night, and to finally learn the truth about himself and his family. A shocking and addictive psychological thriller, The Good Son explores the mysteries of mind and memory, and the twisted relationship between a mother and son, with incredible urgency.

Named a Must-Read Book of the Summer by Elle, Entertainment Weekly, Vulture, Bustle, CrimeReads, Lit Hub, The Millions, Electric Literature, and Brit + Co

(A special thank you to book club member, Sarah Howe for the group read suggestion.)

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The Vegetarian

Winner of the 2016 Man Booker International Prize

Named one of the best books of the year by The NY Times Book Review, Publisher’s Weekly, Buzzfeed, Entertainment Weekly,  Time, Wall Street Journal, Bustle, Slate, Elle, The Economist, & Huffington Post 

Featured in the NY Times selection of “15 remarkable books by women that are shaping the way we read and write fiction in the 21st century” 

A beautiful, unsettling novel about rebellion and taboo, violence and eroticism, and the twisting metamorphosis of a soul
 
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
 
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.

(A special thank you to book club member, Neha Mehta for the group read suggestion.)

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Please Look After Mom

Winner of the Man Asian Literary Prize

When sixty-nine-year-old So-nyo is separated from her husband among the crowds of the Seoul subway station, her family begins a desperate search to find her. Yet as long-held secrets and private sorrows begin to reveal themselves, they are forced to wonder: how well did they actually know the woman they called Mom?

Told through the piercing voices and urgent perspectives of a daughter, son, husband, and mother, Please Look After Mom is at once an authentic picture of contemporary life in Korea and a universal story of family love.

Kyung-Sook Shin is the author of numerous works of fiction and is one of South Korea’s most widely read and acclaimed novelists. She was the first woman to be awarded the Man Asian Literary Prize.

(A special thank you to book club member, Beth Cummings for the group read suggestion.)

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City of Ash and Red

Named an NPR Great Read of 2018

From the Shirley Jackson Award–winning author of The Hole, a Kafkaesque tale of crime and punishment hailed by Korea’s Wall Street Journal as “an airtight masterpiece.”

Distinguished for his talents as a rat killer, the nameless protagonist of Hye-young Pyun's City of Ash and Red is sent by the extermination company he works for on an extended assignment in C, a country descending into chaos and paranoia, swept by a contagious disease, and flooded with trash. No sooner does he disembark than he is whisked away by quarantine officials and detained overnight. Isolated and forgotten, he realizes that he is stranded with no means of contacting the outside world. Still worse, when he finally manages to reach an old friend, he is told that his ex-wife's body was found in his apartment and he is the prime suspect. Barely managing to escape arrest, he must struggle to survive in the streets of this foreign city gripped with fear of contamination and reestablish contact with his company and friends in order to clear his reputation.

But as the man's former life slips further and further from his grasp, and he looks back on his time with his wife, it becomes clear that he may not quite be who he seems. From the bestselling author of The Hole, City of Ash and Red is an apocalyptic account of the destructive impact of fear and paranoia on people's lives as well as a haunting novel about a man’s loss of himself and his humanity.

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I'll Be Right There

Set in 1980s South Korea amid the tremors of political revolution, I’ll Be Right There follows Jung Yoon, a highly literate, twenty-something woman, as she recounts her tragic personal history as well as those of her three intimate college friends. When Yoon receives a distressing phone call from her ex-boyfriend after eight years of separation, memories of a tumultuous youth begin to resurface, forcing her to re-live the most intense period of her life. With profound intellectual and emotional insight, she revisits the death of her beloved mother, the strong bond with her now-dying former college professor, the excitement of her first love, and the friendships forged out of a shared sense of isolation and grief.
 
Yoon’s formative experiences, which highlight both the fragility and force of personal connection in an era of absolute uncertainty, become immediately palpable. Shin makes the foreign and esoteric utterly familiar: her use of European literature as an interpreter of emotion and experience bridges any gaps between East and West.

”Shin writes wonderfully about intimacy and the longing of lonely people. ...I'll Be Right There is a hopeful work about the power of art, friendship and empathy to provide meaning to people's lives.” —LA Times

“Tender and mournful, the latest novel from best-selling South Korean novelist Shin (Please Look after Mom, 2011) considers young love and loss in an era of political ferment...Shin's uncomplicated yet allusive narrative voice delivers another calmly affecting story, simultaneously foreign and familiar.” —Kirkus

“Known for her beautiful imagery and lyrical prose…in I’ll Be Right There, Shin utilizes vivid, searing imagery…balanc[ing] the gentle beauty of language with bold images throughout her writing.” —Korean Quarterly

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Your Republic is Calling You

A foreign film importer, Gi-yeong is a family man with a wife and daughter. An aficionado of Heineken, soccer, and sushi, he is also a North Korean spy who has been living among his enemies for twenty-one years. Suddenly he receives a mysterious email, a directive seemingly from the home office. He has one day to return to headquarters. He hasn’t heard from anyone in over ten years. Why is he being called back now? Is this message really from Pyongyang? Is he returning to receive new orders or to be executed for a lack of diligence? Has someone in the South discovered his secret identity? Is this a trap?

Spanning the course of one day, Your Republic Is Calling You is an emotionally taut, psychologically astute, haunting novel that reveals the depth of one particularly gripping family secret and the way in which we sometimes never really know the people we love. Confronting moral questions on small and large scales, it mines the political and cultural transformations that have transformed South Korea since the 1980s. A lament for the fate of a certain kind of man and a certain kind of manhood, it is ultimately a searing study of the long and insidious effects of dividing a nation in two.

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Almond

An Amazon Best Book of May 2020

The Emissary meets The Curious Incident of the Dog in the Nighttime in this poignant and triumphant story about how love, friendship, and persistence can change a life forever.

This story is, in short, about a monster meeting another monster. 

One of the monsters is me.

Yunjae was born with a brain condition called Alexithymia that makes it hard for him to feel emotions like fear or anger. He does not have friends—the two almond-shaped neurons located deep in his brain have seen to that—but his devoted mother and grandmother provide him with a safe and content life. Their little home above his mother’s used bookstore is decorated with colorful Post-it notes that remind him when to smile, when to say “thank you,” and when to laugh.

Then on Christmas Eve—Yunjae’s sixteenth birthday—everything changes. A shocking act of random violence shatters his world, leaving him alone and on his own. Struggling to cope with his loss, Yunjae retreats into silent isolation, until troubled teenager Gon arrives at his school, and they develop a surprising bond.

As Yunjae begins to open his life to new people—including a girl at school—something slowly changes inside him. And when Gon suddenly finds his life at risk, Yunjae will have the chance to step outside of every comfort zone he has created to perhaps become the hero he never thought he would be.

Readers of Wonder by R.J. Palaccio and Ginny Moon by Benjamin Ludwig will appreciate this “resonant” story that “gives Yunjae the courage to claim an entirely different story.” (Booklist, starred review)

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First Person Sorrowful

Ko Un has long been a living legend in Korea, both as a poet and as a person. Allen Ginsberg once wrote, “Ko Un is a magnificent poet, combination of Buddhist cognoscente, passionate political libertarian, and naturalist historian.”

When a writer has published as much as Ko Un has in the course of more than fifty years of writing, it is hard to know where to begin, what to translate. For this collection, his translators have selected a hundred or so poems from the five collections published since 2002, collections acclaimed by Korean critics as bringing poetry to a new level of cosmic reference. Nothing shows more clearly his stature as a writer than the variety of themes and emotions found in his most recent work. Readers here have access for the first time to many of the poems Ko Un has produced in the 21st century, as he approaches his eightieth year, his energy and originality unabated.

As Michael McLure wrote years ago: “Ko Un's poetry has the old-fashionedness of a muddy rut on a country road after rain, and yet it is also as state-of-the-art as a DNA micro-chip.” That remains true today.

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There a Petal Silently Falls

“Ch'oe Yun is a Korean author known for her breathtaking versatility, subversion of authority, and bold exploration of the inner life. Readers celebrate her creative play with fantasy and admire her deep engagement with trauma, history, and the vagaries of remembrance.

In this collection's title work, ‘There a Petal Silently Falls,’ Ch'oe explores both the genesis and the aftershocks of historical outrages such as the Kwangju Massacre of 1980, in which a reported 2,000 civilians were killed for protesting government military rule. The novella follows the wanderings of a girl traumatized by her mother's murder and strikes home the injustice of state-sanctioned violence against men and especially women. ‘Whisper Yet’ illuminates the harsh treatment of leftist intellectuals during the years of national division, at the same time offering the hope of reconciliation between ideological enemies. The third story, ‘The Thirteen-Scent Flower,’ satirizes consumerism and academic rivalries by focusing on a young man and woman who engender an exotic flower that is coveted far and wide for its various fragrances.

Elegantly crafted and quietly moving, Ch'oe Yun's stories are among the most incisive portrayals of the psychological and spiritual reality of post-World War II Korea. Her fiction, which began to appear in the late 1980s, represents a turn toward a more experimental, deconstructionist, and postmodern Korean style of writing, and offers a new focus on the role of gender in the making of Korean history.”

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No Flower Blooms without Wavering

Do Jong-Hwan is one of Korea’s most beloved poets. Through his poetry, Do Jong-Hwan depicts nature and beauty interwoven with a touch of melancholy and hope. He offers glimpses of wisdom with lessons learned from life’s greatest joys and deepest pains. This explains why so many people appreciate them—for the courage the poems give when life is difficult, when joy seems far away.

Where have flowers bloomed but never trembled?
Even those most beautiful
all trembled as they blossomed,
and as they shook, stalks grew firm.
Where is there a love which is never shaken?

Where have flowers bloomed though never been made wet?
Even those most brightly sparkling
were soaked and soaked again as they blossomed.
Battered by wind and rain, their petals opened warmly.
Where is there a life which has never been drenched?

The poet lost his wife at a young age to cancer and the love, pain, and sadness he feels is also seen in this beautiful collection.

Today there is
no sign of you,
who turned into a star
and lingered a while
outside the window

Critics and readers alike adore Do Jong-Hwan and this collection of his best poems make it clear why he’s so beloved. This new publication offers the additional advantage of being bilingual, so that readers also have access to the original texts of the poems.

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Human Acts

Shortlisted for the International Dublin Literary Award & named one of the best books of 2017 by Amazon, The Atlantic, San Francisco Chronicle, Library Journal, & Huffington Post

From the internationally bestselling author of The Vegetarian, a “rare and astonishing” (The Observer) portrait of political unrest and the universal struggle for justice

In the midst of a violent student uprising in South Korea, a young boy named Dong-ho is shockingly killed.
 
The story of this tragic episode unfolds in a sequence of interconnected chapters as the victims and the bereaved encounter suppression, denial, and the echoing agony of the massacre. From Dong-ho’s best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho's own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice.
 
An award-winning, controversial bestseller, Human Acts is a timeless, pointillist portrait of an historic event with reverberations still being felt today, by turns tracing the harsh reality of oppression and the resounding, extraordinary poetry of humanity.”

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Flowers of Mold

“If you're looking for a book that will make you gasp out loud, you’ve found it.” —Kirkus Reviews

“This impressive collection reveals Ha’s close attention to the eccentricities of life, and is sure to earn her a legion of new admirers.” —Publishers Weekly

“Joining a growing cohort of notable Korean imports, Ha’s dazzling, vaguely intertwined collection of 10 stories is poised for Western acclaim.” —Booklist

On the surface, Ha Seong-nan’s stories seem pleasant enough, yet there’s something disturbing just below the surface, ready to permanently disrupt the characters’ lives.

A woman meets her next-door neighbor and loans her a spatula, then starts suffering horrific gaps in her memory. A man, feeling jilted by an unrequited love, becomes obsessed with sorting through his neighbors’ garbage in the belief that it will teach him how to better relate to people. A landlord decides to raise the rent, and his tenants hatch a plan to kill him at a team-building retreat.

In ten captivating, unnerving stories, Flowers of Mold presents a range of ordinary individuals—male and female, young and old—who have found themselves left behind by an increasingly urbanized and fragmented world.

The latest in the trend of brilliant female Korean authors to appear in English, Ha cuts like a surgeon, and even the most mundane objects become menacing and unfamiliar under her scalpel.

(Group read suggestion from Ivor Watkins, book club moderator.)

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The Hen Who Dreamed She Could Fly

The Korean Charlotte's Web

“It has the plain language of a folktale but also its power of dark suggestion.” —NPR

“Bewitching . . . a bestseller told from the point of view of a homeless hen, which will make grown men and women cry.” —The Independent
 
This is the story of a hen named Sprout. No longer content to lay eggs on command, only to have them carted off to the market, she glimpses her future every morning through the barn doors, where the other animals roam free, and comes up with a plan to escape into the wild—and to hatch an egg of her own.

An anthem for freedom, individuality and motherhood featuring a plucky, spirited heroine who rebels against the tradition-bound world of the barnyard, The Hen Who Dreamed She Could Fly is a novel of universal resonance that also opens a window on Korea, where it has captivated millions of readers. And with its array of animal characters—the hen, the duck, the rooster, the dog, the weasel—it calls to mind such classics in English as Animal Farm and Charlotte’s Web.

Featuring specially-commissioned illustrations, this first English-language edition of Sun-mi Hwang’s fable for our times beautifully captures the journey of an unforgettable character in world literature.

(A special thank you to book club member, Christine Jensen for the group read suggestion.)

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I Have the Right to Destroy Myself

“A mesmerizing novel of a love triangle and a mysterious disappearance in South Korea.” —Booklist

In the fast-paced, high-urban landscape of Seoul, C and K are brothers who have fallen in love with the same woman—Se-yeon—who tears at both of them as they all try desperately to find real connection in an atomized world. A spectral, nameless narrator haunts the edges of their lives as he tells of his work helping the lost and hurting find escape through suicide.

Dreamlike and beautiful, the South Korea brought forth in this novel is cinematic in its urgency and its reflection of contemporary life everywhere—far beyond the boundaries of the Korean peninsula. Recalling the emotional tension of Milan Kundera and the existential anguish of Bret Easton Ellis, I Have the Right to Destroy Myself achieves its author’s greatest wish—to show Korean literature as part of an international tradition. Young-ha Kim is a young master, the leading literary voice of his generation.

(A special thank you to book club member, Nicole Viola Hinz-Schouwstra for the group read suggestion.)

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The Impossible Fairy Tale

“This transfixing experimental novel questions where sleep ends and books begin, a concept borrowed from Maurice Blanchot while the atmosphere of nightmarish dread and penetrating weirdness recalls a David Lynch film.” —Publishers Weekly

One of World Literature Today's 75 Notable Translations of 2017

The Impossible Fairy Tale is the story of two unexceptional grade-school girls. Mia is “lucky”—she is spoiled by her mother and, as she explains, her two fathers. She gloats over her exotic imported colored pencils and won’t be denied a coveted sweater. Then there is the Child who, by contrast, is neither lucky nor unlucky. She makes so little impression that she seems not even to merit a name.

At school, their fellow students, whether lucky or luckless or unlucky, seem consumed by an almost murderous rage. Adults are nearly invisible, and the society the children create on their own is marked by cruelty and soul-crushing hierarchies. Then, one day, the Child sneaks into the classroom after hours and adds ominous sentences to her classmates’ notebooks. This sinister but initially inconsequential act unlocks a series of events that end in horrible violence.

But that is not the end of this eerie, unpredictable novel. A teacher, who is also this book’s author, wakes from an intense dream. When she arrives at her next class, she recognizes a student: the Child, who knows about the events of the novel’s first half, which took place years before. The Impossible Fairy Tale is a fresh and terrifying exploration of the ethics of art making and of the stinging consequences of neglect.

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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Kim Jiyoung, Born 1982

A NY Times Editors Choice Selection

A fierce international bestseller that launched Korea’s new feminist movement, Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of misogyny.

In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A thirtysomething-year-old “millennial everywoman,” she has recently left her white-collar desk job—in order to care for her newborn daughter full-time—as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women—alive and even dead, both known and unknown to her. As she plunges deeper into this psychosis, her discomfited husband sends her to a male psychiatrist.

In a chilling, eerily truncated third-person voice, Jiyoung’s entire life is recounted to the psychiatrist—a narrative infused with disparate elements of frustration, perseverance, and submission. Born in 1982 and given the most common name for Korean baby girls, Jiyoung quickly becomes the unfavored sister to her princeling little brother. Always, her behavior is policed by the male figures around her—from the elementary school teachers who enforce strict uniforms for girls, to the coworkers who install a hidden camera in the women’s restroom and post their photos online. In her father’s eyes, it is Jiyoung’s fault that men harass her late at night; in her husband’s eyes, it is Jiyoung’s duty to forsake her career to take care of him and their child—to put them first.

Jiyoung’s painfully common life is juxtaposed against a backdrop of an advancing Korea, as it abandons “family planning” birth control policies and passes new legislation against gender discrimination. But can her doctor flawlessly, completely cure her, or even discover what truly ails her?

Rendered in minimalist yet lacerating prose, this book sits at the center of our global #MeToo movement and announces the arrival of writer of international significance.

(Group read suggestion from Ivor Watkins, book club moderator.)

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The Plotters

Named a Best Thriller of the Year by:
The Washington Post
The Telegraph

A fantastical crime novel set in an alternate Seoul where assassination guilds compete for market dominance.

Behind every assassination, there is an anonymous mastermind—a plotter—working in the shadows. Plotters quietly dictate the moves of the city’s most dangerous criminals, but their existence is little more than legend. Just who are the plotters? And more important, what do they want?

Reseng is an assassin. Raised by a cantankerous killer in the crime headquarters “The Library,” Reseng never questioned anything: where to go, who to kill, or why his home was filled with books that no one ever read. But one day, Reseng steps out of line on a job, toppling a set of carefully calibrated plans. And when he uncovers an extraordinary scheme set into motion by an eccentric trio of young women—a convenience store clerk, her wheelchair-bound sister, and a cross-eyed librarian—Reseng will have to decide if he will remain a pawn or finally take control of the plot.

Crackling with action and filled with unforgettable characters, The Plotters is a deeply entertaining thriller that soars with the soul, wit, and lyricism of real literary craft.

(Group read suggestion from Beth McCrea, book club co-founder.)

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