Cuba

Cecilia Valdés or El Angel Hill

“Cecilia Valdés is arguably the most important novel of 19th century Cuba. Originally published in NYC in 1882, Cirilo Villaverde's novel has fascinated readers inside and outside Cuba since the late 19th century. In this new English translation, a vast landscape emerges of the moral, political, and sexual depravity caused by slavery and colonialism. Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually, Cecilia gives in to Leonardo's advances; she becomes pregnant and gives birth to a baby girl. When Leonardo, who gets bored with Cecilia after a while, agrees to marry a white upper class woman, Cecilia vows revenge. A mulatto friend and suitor of hers kills Leonardo, and Cecilia is thrown into prison as an accessory to the crime.

For the contemporary reader, Helen Lane's masterful translation of Cecilia Valdés opens a new window into the intricate problems of race relations in Cuba and the Caribbean. There are the elite social circles of European and New World Whites, the rich culture of the free people of color, the class to which Cecilia herself belonged, and then the slaves, divided among themselves between those who were born in Africa and those who were born in the New World, and those who worked on the sugar plantation and those who worked in the households of the rich people in Havana. Cecilia Valdés thus presents a vast portrait of sexual, social, and racial oppression, and the lived experience of Spanish colonialism in Cuba.”

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The Cuban Comedy

“A love story steeped in political satire, poetry, and the lightest touches of magical realism, Medina has created a bold, funny narrative with an uncanny heroine at its core: Elena of Piedra Negra, Cuba.

Piedra Negra is an isolated village, whose citizens consist mainly of soldiers injured in the revolution who pass the time drinking a firewater so intense, all hallucinate, and most never recover. The firewater distiller's daughter Elena longs to be a poet, and after a chance encounter with Daniel Arcilla, Cuba's most important poet, Elena wins a national poetry prize and leaves Piedra Negra behind for Havana. There, she encounters a population adjusting to a new way of life, post-revolution: there are spies and secret meetings, black marketeers, and censorship.

Full of outlandish humor and insights into an often contradictory and kafkaesque regime, Medina brings 1960s Cuba to life through the eyes of Elena.”

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Waiting for Snow in Havana

“Have mercy on me, Lord, I am Cuban.’ In 1962, Carlos Eire was one of 14,000 children airlifted out of Havana—exiled from his family, his country, and his own childhood by Fidel Castro’s revolution. Winner of the National Book Award, this stunning memoir is a vibrant and evocative look at Latin America from a child’s unforgettable experience.

Waiting for Snow in Havana is both an exorcism and an ode to a paradise lost. For the Cuba of Carlos’s youth—with its lizards and turquoise seas and sun-drenched siestas—becomes an island of condemnation once a cigar-smoking guerrilla named Fidel Castro ousts President Batista on January 1, 1959. Suddenly the music in the streets sounds like gunfire. Christmas is made illegal, political dissent leads to imprisonment, and too many of Carlos’s friends are leaving Cuba for a place as far away and unthinkable as the United States. Carlos will end up there, too, and fulfill his mother’s dreams by becoming a modern American man—even if his soul remains in the country he left behind.

Narrated with the urgency of a confession, Waiting for Snow in Havana is a eulogy for a native land and a loving testament to the collective spirit of Cubans everywhere.”

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Lights Out

“Dania was eleven the first time she meets a Judas Goat, a chivato. Likened to the goats that lead animals to the slaughter, the informants of communist Cuba would do anything to please the authorities. This one has his ear almost pressed against her neighbor’s door.

As an adult, Dania reflects on the chivato who terrified her. The incident sticks in her mind, and it isn’t the only danger she encounters under communist rule.

Suspicion and fear will follow.

Dania chronicles Fidel Castro’s rise to power and the truth behind the dictator. His fascination with Hitler, Mussolini, and other fascists lead to a totalitarian state of sorrow and pain. At the same time, she shows a deep love and respect for the history and culture of Cuba. Lights Out combines the childhood intimacy of Eire’s Waiting for Snow in Havana with the hard-hitting historical accuracy and relevance of Demick’s Nothing to Envy. Castro is determined to erase the past, but Lights Out is a monument to the Cuba before Castro.”

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The Year 200

“The best and most popular novelist of this genre that the island has ever given.” —Yoss

“Agustín de Rojas authored a trilogy that pushes the boundaries of our imaginations.” —SF Signal

”The cult classic from the godfather of Cuban science fiction, Agustín de Rojas’s The Year 200 is both a visionary sci-fi masterwork and a bold political parable about the perils of state power.

Centuries have passed since the Communist Federation defeated the capitalist Empire, but humanity is still divided. A vast artificial-intelligence network, a psychiatric bureaucracy, and a tiny egalitarian council oversee civil affairs and quash ‘abnormal’ attitudes such as romantic love. Disillusioned civilians renounce the new society and either forego technology to live as ‘primitives’ or enhance their brains with cybernetic implants to become ‘cybos.’ When the Empire returns and takes over the minds of unsuspecting citizens in a scenario that terrifyingly recalls Invasion of the Body Snatchers, the world’s fate falls into the hands of two brave women.

Drawing as much from the realms of the adventure novel, spy thriller, and political satire as from hard science fiction, horror, and fantasy, The Year 200 has been proven prophetic in its consideration of cryogenic freezing, artificial intelligence, and state surveillance, while its advanced weapons and robot assassins exist in an all-too-imaginable future. Originally published in 1990, just after the fall of the Berlin Wall and before the onset of Cuba's devastating Special Period, Agustín de Rojas’s magnum opus brings contemporary trajectories to their logical extremes and boldly asks, ‘What does the greatest good for the greatest number really mean?”

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33 Revolutions

“A young man’s political awakening takes shape in the aftermath of Castro’s Revolution in this ‘prayer of a novel’ by the grandson of Che Guevara” - Cleaver Magazine

”At the dawn of Communist Cuba, our unnamed hero, a young black Cuban man, loses his father to death and his mother to emigration. Now he spends much of his time with his Russian neighbor, discovering the pleasures of reading. The books he reads gradually open his eyes to the incongruity between party slogans and the oppressive reality that surrounds him: the office routine; the daily complaints of his colleagues; his own obsessive thoughts which circulate around his mind like a broken record.

Every day, he photographs the spontaneous eruptions of dissent on the streets and witnesses the sad spectacle of young people crowding onto makeshift rafts to escape the island. His frustration grows until a day when he declares his unwillingness to become an informer. And this is when his real troubles begin.”

“Not since Reinaldo Arenas has a Cuban literary voice arrived on American shores with such beaten madness, and sense of personal desperation.” —Cleaver Magazine

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The Island of Eternal Love

"A magical new novel ‘of loss and love across more than a century of Cuba's past.’ -Chicago Sun-Times)

"It's a rich, moving, musical novel, which has already won the Best Spanish Language Book prize in the Florida Book Awards, and that only makes you wonder where the English versions are of the rest of Chaviano's works." -LOCUS Magazine

“Melodious . . . reminiscent of Isabel Allende’s The House of the Spirits . . . a dream-like haze hangs over the novel from start to finish.” -Críticas

”Alone in a city that haunts her, far from her family, her history, and the island she left behind, Cecelia seeks refuge in a bar in Little Havana where a mysterious old woman's fascinating tale keeps Cecelia returning night after night. Her powerful story of long-vanished epochs weaves the saga of three families from far-flung pieces of the world whose connection forms the kind of family that Cecelia has long been missing-one cast from legendary, unbreakable love. As Cecelia falls under the story's heady sway, she discovers the source of the visions that plague her, and a link to the past she cannot shake.”

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Firefly

Firefly is a dream-like evocation of pre-war Cuba, replete with hurricanes, mystical cults, and slave-markets. The story is the coming-of-age of a precocious and exuberant boy with an oversized head and underdeveloped sense of direction, who views the world as a threatening conspiracy. Told in breathless and lyrical prose, the novel is a loving rendition of a long-lost home, a meditation on exile, and an allegory of Cuba’s isolation in the world.”

“The penultimate novel by Sarduy. This book would seem to be a translator’s nightmare, but Fried has maintained the dark beauty and mystery of the work. Sarduy’s circuslike world takes some getting used to …the narrative takes the first of many surreal turns in the first chapter [and soon after], the story loses any linear coherence it has, but the flow of images is dazzling and ultimately quite haunting.” - Kirkus Reviews

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My Lost Cuba

“Dramatic history, lush scenery, and a colorful cast transport us to the time of Cuba's turning point—the late 1950s.

Set against the tropical landscape of Cuba's countryside and the glamour of 1950s Havana, this moving story of Cuban life at a pivotal time in the country's rich history will resonate with anyone who has experienced the loss of family or homeland.

It is 1958, the last year of Fulgencio Batista's dictatorship. Mike, the son of Don Miguel, a wealthy land owner and rancher, is summoned home from his MBA studies in the United States because of his father's failing health. Still recovering from the loss of his wife, Mike's return is an immediate tonic for Don Miguel. Caught between his family obligations and his desire to pursue his own dreams, Mike quickly finds himself succumbing to his father's desire for him to take over the responsibilities of running the family ranch. As Mike settles back into the life he was groomed for, Don Miguel, reinvigorated, spends more and more time socializing in Havana.

Changes are happening everywhere. The government is encroaching on civil liberties and social and political upheaval is in the air. There are rumblings about Castro's guerillas organizing in the mountains. On the ranch, long-time employees of Don Miguel resent the changes that Mike is making, setting the stage for a confrontation that change the lives of everyone involved.

With evocative language, vibrant characters, and explosive history, My Lost Cuba pulls us into fascinating time and place.”

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A Planet for Rent

“What 1984 did for surveillance, and Fahrenheit 451 did for censorship, A Planet for Rent does for tourism. It’s a wildly imaginative book and one that, while set in the future, has plenty of relevance to the present.”

“A Planet for Rent criticizes Cuban reality in thinly veiled terms. Cuban defectors leave the country not on rafts but on 'unlawful space launches'; prostitutes are 'social workers'; foreigners are 'xenoids'; and Cuba is a ‘planet whose inhabitants have stopped believing in the future.’ The book is particularly critical of the government-run tourism industry of the ’90s, which welcomed and protected tourists—often at the expense of Cubans—and whose legacy can still be felt today.” - The NY Times

“The most successful and controversial Cuban science fiction writer of all time, Yoss is known for his acerbic portraits of the island under Communism. In his bestselling A Planet for Rent, Yoss pays homage to Ray Bradbury’s The Martian Chronicles and 334 by Thomas M. Disch. A critique of Cuba in the 90s, after the fall of the Soviet Union and the dissolution of the Warsaw Pact, A Planet for Rent marks the debut in English of an astonishingly brave and imaginative Latin American voice.”

”Some of the best sci-fi written anywhere since the 1970s.… A Planet for Rent, like its author, a bandana-wearing, muscly roquero, is completely unique: riotously funny, scathing, perceptive, and yet also heart-wrenchingly compassionate.… Instantly appealing.” - The Nation

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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The Double Life of Fidel Castro

“Sánchez's nonstop revelations, energetic voice, & cognitive dissonance are liable to entertain and intrigue almost any audience.” - Library Journal

“In The Double Life of Fidel Castro, one of Castro's soldiers of 17 years breaks his silence and shares his memoir of years of service, and eventual imprisonment and torture for displeasing the notorious dictator, and his dramatic escape from Cuba.

Responsible for protecting the former Prime Minister of Cuba for two decades, Juan Reinaldo Sánchez was party to Castro’s secret life. From the ghost town in which guerrillas from several continents were trained, to his immense personal fortune—including a huge property portfolio, a secret paradise island, and seizure of public money—as well as his relationship with his family and his nine children from five different partners.

Sanchez's tell-all expose reveals countless state secrets and the many sides of the Cuban monarch: genius war leader in Nicaragua and Angola, paranoid autocrat at home, master spy, Machiavellian diplomat, and accomplice to drug traffickers. This extraordinary testimony makes us re-examine everything we thought we knew about the Cuban story and Fidel Castro.”

(Group read suggestion from Beth McCrea, book club co-founder.)

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The Fallen

A powerful, unsettling portrait of ordinary family life in Cuba, Carlos Manuel Álvarez’s debut novel The Fallen is a masterful portrayal of a society in free fall.

Diego, the son, is disillusioned and bitter about the limited freedoms his country offers him. Mariana, the mother, is unwell and forced to relinquish her control over the home to her daughter, Maria, who has left school and is working as a chambermaid in one of the state-owned tourist hotels. The father, Armando, is a committed revolutionary who is sickened by the corruption he perceives all around him.

In meticulously charting the disintegration of a family, The Fallen offers a poignant reflection on contemporary Cuba and the clash of the ardent idealism of the old guard with the jaded pragmatism of the young.”

”A beautiful and painful novel that demonstrates the power of fiction to pursue the unutterable.” - Alejandro Zambra, author of Multiple Choice

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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Havana Fever

The finest crime-fiction writer in the Spanish language.” - The London Times

“Full of atmosphere and descriptions to savour, this is as much a life-affirming tribute to Havana as a fine novel of death and detection.” - The Independent

“Mario Conde has retired from the police force and makes a living trading in antique books. Havana is now flooded with dollars, populated by pimps, prostitutes, drug dealers, and other hunters of the night. In the book collection of a rich Cuban who fled after the fall of Batista, Conde discovers an article about Violeta del Rio, a beautiful bolero singer of the 1950s who disappeared mysteriously. A murder soon follows.

This is a crime story set in today’s darker Cuba, but it is also an evocation of the Havana of Batista, the city of a hundred night clubs where the paths of Marlon Brando and Meyer Lansky crossed.

Probably Leonardo Padura’s best book, Havana Fever is many things: a suspenseful crime novel, a cruel family saga, and an ode to literature and his beloved, ravaged island.”

(A special thank you to book club member, Elke Richelsen for the group read suggestion.)

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Havana is a Really Big City

These humorous and poignant stories that illustrate everyday life in contemporary Havana will challenge the reader's assumptions about the Cuban reality.

Themes of class, race, gender, and sexuality are artfully interwoven in humorous and poignant narratives that make the reader pause to rethink her/his views or assumptions about Cuba and about life. This groundbreaking collection of her work, most of which is available for the first time in English translation, includes La habana es una ciudad bien grande in its entirety as well as other selected stories.

Wildcat21 says: ‘Yanez portrays Cuba as a familiar place, the well-known small-town feel. Each story introduces us to a character, ranging from children to adults to a dog, who tells us a personal account of the highs and lows of life. Each story is so different, covering a variety of themes such as sadness for lost loved ones, unhappiness with life, coming of age, and love. These stories are original and down to earth, and the emotions that flow from character to character and story to story are completely relatable. Yanez weaves so much emotion into such few words. She writes as though she's a good friend just telling you stories.’

(A special thank you to book club member, Beth Cummings for the group read suggestion.)

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A Legend of the Future

“This mesmerizing novel, reminiscent of Arthur C. Clarke’s 2001: A Space Odyssey, is a science-fiction survival story that captures the intense pressures—economic, ideological, and psychological—inside Communist Cuba.

A Legend of the Future takes place inside a spaceship on a groundbreaking mission to Titan, one of Saturn’s moons; back home, a final conflict between warring superpowers threatens the fate of the Earth. When disaster strikes the ship, the crewmembers are forced into a grand experiment in psychological and emotional conditioning, in which they face not just their innermost fears, but the ultimate sacrifice—their very humanity.”

“Finally, we have the chance to read a landmark work from one of Cuba’s greatest science fiction writers…. Steady build-up of suspense, believable depiction of characters under intense stress, unique take on human space exploration…. If you like intensely psychological sci-fi that deftly piles on the suspense, this novel’s for you. It will blow your mind in a good way. The boundaries between dream and reality, and then between human and machine, almost melt away as the story progresses. And it is de Rojas’s skillful manipulation of those boundaries that makes A Legend of the Future so addictive.” - SF Signal, 4.5-star review

(Group read suggestion from Beth McCrea, book club co-founder.)

Note: The publisher made the poor decision to include thoughts in quotes in the novel so you can't easily differentiate between thoughts & conversation. There are also a few other small issues, however, the story is good enough to overcome these minor faults. Get through the 1st few chapters & you’ll see why this novel is a staff recommendation.

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