The Impatient

A powerful, heartrending, and insightful novel of a trio of women in Cameroon who dare to rebel against oppressive, long-held cultural traditions—including polygamy and domestic abuse—that define and limit their lives.

In North Cameroon, well-to-do young Ramla is torn from her true love and wed to a manipulative older man. Safira, her co-wife, juggles envy and empathy for this new bride with disappointment in the husband she desperately loves. Like her older sister, Ramla, Hindou is married off to a man she does not know or want, a distant cousin whose instability and violence terrifies her.

From an early age, these women were raised to submit to men, or risk shame and repudiation of themselves and their families. They are advised to have munyal—patience. They are told that their fates are the will of the All-Powerful, and that it is unthinkable—or rather, impossible—to defy tradition. They are reminded of the Fulani proverb which holds, “At the end of patience, there is the sky.”

Yet Ramla, Safira, and Hindou are tired of waiting for a happiness that may never come. Their lives are driven by impatience and clouded by the suffering rooted in forced marriage and physical abuse, but it is this oppressive culture that binds them together.

Djaïli Amadou Amal makes her literary debut in English with this remarkable novel that breaks taboos as it denounces the cultural mores of Africa's Sahel region. Inspired by the author’s own experiences and written with grace, strength, and veracity, The Impatient is a moving testimony to a shared pain and a call for change—an unflinching depiction of the psychic damage traditions can have on the women who must abide by them and a denunciation of violence against all women and the normalization of domestic abuse—not only in Cameroon but around the globe.

“A stark and unflinching view of an oppressive culture.” —Publishers Weekly

(A special thank you to book club member, Elke Richelsen for the suggestion.)

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The Blunder

Cameroon, 1929. As colonial powers fight for influence in Africa, French military surgeon Eugène Jamot is dispatched to Cameroon to lead the fight against sleeping sickness there. But despite his humanitarian intentions, the worst comes to pass: 700 local villagers are left blind as a result of medical malpractice by a doctor under Jamot’s watch.

Damienne Bourdin, a young white woman, ventures to Cameroon to assist in the treatment effort. Reeling from the loss of her child, she’s desperate to redeem herself and save her reputation. But the tides of rebellion are churning in Cameroon, and soon after Damienne’s arrival, she is enlisted in a wild plot to staunch the damage caused by the blunder and forestall tribal warfare. Together with Ndongo, a Pygmy guide, she must cross the country on foot in search of Edoa, a Cameroonian princess and nurse who has gone missing since the medical blunder was discovered.

As Damienne races through the Cameroonian forest on a farcical adventure that unsettles her sense of France’s “civilizing mission,” she begins to question her initial sense of who needed saving and who would save the day.

“Cameroonian writer Mutt-Lon skewers self-centered and condescending humanitarian efforts of people from the first world in his sharp English-language debut…This impressive work finds the humanity of its targets.” —Publishers Weekly

“Mutt-Lon writes with a bracing mix of directness and humor…Yet he never creates enough irony to soften discomfort; doing so would be too easy, and The Blunder, no matter how swift and funny it gets, is an intensely complex novel, full of nuanced characters and difficult histories of colonial and inter-tribal prejudice and conflict…an excellent and infuriating read.” —NPR

(A special thank you to book club member, Anna Ruth for the suggestion.)

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Cruel City

Under the pseudonym Eza Boto, Mongo Beti wrote Ville cruelle (Cruel City) in 1954 before he came to the world's attention with the publication of Le pauvre Christ de Bomba (The Poor Christ of Bomba).

Cruel City tells the story of a young man's attempt to cope with capitalism and the rapid urbanization of his country. Banda, the protagonist, sets off to sell the year's cocoa harvest to earn the bride price for the woman he has chosen to wed. Due to a series of misfortunes, Banda loses both his crop and his bride to be.

Making his way to the city, Banda is witness to a changing Africa, and as his journey progresses, the novel mirrors these changes in its style and language.

Published here with the author's essay “Romancing Africa,” the novel signifies a pivotal moment in African literature, a deliberate challenge to colonialism, and a new kind of African writing.

”A persuasive, even gripping study of a spiteful, naïve character.” ―Kirkus Reviews

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A Long Way from Doula

Bursting with local color, this hilarious, heartwarming coming-of-age tale follows two friends on a raucous journey across Cameroon as they grapple with grief, sexuality, and dreams of leaving. 

After their father’s sudden death, Jean’s older brother Roger decides he’s had enough of their abusive mother and their city. He runs away to try his luck crossing illegally into Europe, in the hope of becoming a soccer star abroad. When no news of him reaches the family, and the police declare that finding some feckless brat isn’t worth their time, Jean feels he has to act. Aiming to catch up with Roger before he gets to the Nigerian border, Jean enlists the help of the older Simon, a close neighborhood friend, and the two set out on the road. 

Through a series of joyful, sparky vignettes, Cameroon life is revealed in all its ups and downs. Max Lobe insightfully touches on grave, complex issues, such as the violence Boko Haram has inflicted on the region, yet still recounts events with remarkable humor and levity.

Artfully constructed and absorbing…Lobe has the ability to summon up whole worlds in a careful economy of phrase, bringing individuals and communities to life beyond the photogenic opportunism of breaking news.” —Irish Times
 
“Max Lobe has emerged as a name to watch…for his topical, rip-roaring explorations of life, society and politics in both his birth and adopted countries…There’s a lot to like about his straight-talking prose and sparky, Camfranglais-sprinkled dialogues, and I’d happily have stayed on board for longer.” —European Literature Network
 
“Lobe is a brilliant young talent…This defiant and uplifting immigrant’s story is powerful and persuasive…[a] stylish and colorful tale, rich and insightful.” —NB Magazine

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Mount Pleasant

A majestic tale of colonialism and transformation, Patrice Nganang's Mount Pleasant tells the astonishing story of the birth of modern Cameroon, a place subject to the whims of the French and the Germans, yet engaged in a cultural revolution.

In 1931, Sara is taken from her family and brought to Mount Pleasant as a gift for Sultan Njoya, a ruler cast into exile by French colonialists. Merely 9 years old, she is on the verge of becoming the sultan’s 681st wife. But when she is dragged to Bertha, the long-suffering slave charged with training Njoya’s brides, Sara’s life takes a curious turn. Bertha sees within this little girl her son Nebu, who died tragically years before, and she saves Sara from her fate by disguising her as her son. In Sara’s new life as a boy she bears witness to the world of Sultan Njoya—a magical yet vulnerable community of artists and intellectuals—and learns of the sultan’s final days and the sad fate of Nebu, the greatest artist their culture had ever seen.

Seven decades later, a student returns home to Cameroon to learn about the place it once was, and she finds Sara, silent for years, ready to tell her story. But her serpentine tale, entangled by flawed memory and bursts of the imagination, reinvents history anew.

“Nganang’s dazzling novel [stands] in a league of its own, so different from the great majority of novels by African writers in the past fifty or sixty years.” —Counterpunch

”Nganang delivers a modern epic, tinged with liberal doses of magical realism, of life in his country's colonial era . . . An elegantly drawn and engaging world of a sort unknown to most readers—but one they'll be glad to have visited.” —Kirkus Reviews

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Your Madness, Not Mine

Women's writing in Cameroon has so far been dominated by Francophone writers. The short stories in this collection represent the yearnings and vision of an Anglophone woman, who writes both as a Cameroonian and as a woman whose life has been shaped by the minority status her people occupy within the nation-state.

The stories in Your Madness, Not Mine are about postcolonial Cameroon, but especially about Cameroonian women, who probe their day-to-day experiences of survival and empowerment as they deal with gender oppression: from patriarchal expectations to the malaise of maldevelopment, unemployment, and the attraction of the West for young Cameroonians.

Makuchi has given us powerful portraits of the people of postcolonial Africa in the so-called global village who too often go unseen and unheard. 

“The characters Makuchi creates are survivors; they are scrappy and they are strong, especially the women. As we enter their world and see the neocolonial forces of gargantuan proportions that shape their daily living, Makuchi's pen guides us into a new literary space. She wields her pen like a pioneer's axe in the forest, clearing new spaces…that invite us to consider realities we would otherwise never know.” —Eloise A. Briere

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Never Whistle at Night

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?”

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Featuring stories by: Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller

“Never failed to surprise, delight, and shock.” —Nick Cutter, author of The Troop and Little Heaven

(A special thank you to book club member, Amanda Foxman for the suggestion.)

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Frankenstein in Baghdad

Man Booker International Prize finalist

From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi—a scavenger and an oddball fixture at a local café—collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed. Hadi soon realizes he’s created a monster, one that needs human flesh to survive—first from the guilty, and then from anyone in its path.

A prizewinning novel by “Baghdad’s new literary star” (The New York Times), Frankenstein in Baghdad captures with white-knuckle horror and black humor the surreal reality of contemporary Iraq.

“The book I can’t get out of my head? The haunting, brutal and funny Frankenstein in Baghdad.” —NY Times Book Review

“Powerful . . . Surreal . . . Darkly humorous . . . Cleverly conscripts a macabre character from a venerable literary work in the service of a modern-day cautionary fable . . . An excellent English translation.” —Chicago Tribune

(Group read suggestion from Sue Attalla, book club moderator.)

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Ghost Stories of an Antiquary

Free to buy on Kindle! Make sure to click “buy”, not the Kindle Unlimited link.

In the twentieth-century literature of the supernatural, the single most important book, in the opinion of most scholars and enthusiasts, is Ghost Stories of an Antiquary, by M.R. James.

First printed in 1904, it is the landmark book that established the modern horror story. It has been reprinted more times than any other book in this field, and it contains several of the best ghost stories in the English language.

The antiquary here is M. R. James, Provost of Eton, one of the most formidable scholars that England has ever produced, who has drawn upon an unmatched knowledge of the hidden byways of the past to form a series of inimitable stories.

“These are stories meant to be read aloud at night, preferably by candlelight, when the shadows in the corners of our rooms could be hiding horrors. M. R. James has a well-deserved reputation for terrifying his readers. Most of his ghosts are only sketchily described, often only seen in brief glimpses, out of the corners of our eyes, yet the stories are more terrifying than any ‘slasher’-type horror movies. No one has ever told a better ghost story.” —Classic Mysteries

(A special thank you to book club member, Christine Jensen for the suggestion.)

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Gods of Jade and Shadow

Nebula Award Finalist & Named One of the Best Books of the Year by NPR, Tor, the NY Public Library, & Book Riot

The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty, small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it–and accidentally frees the spirit of the Mayan God of Death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true.

In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey, from the jungles of Yucatán to the bright lights of Mexico City–and deep into the darkness of the Mayan underworld.

A spellbinding fairy tale rooted in Mexican mythology . . . Gods of Jade and Shadow is a magical fairy tale about identity, freedom, and love, and it's like nothing you've read before.” —Bustle

(A special thank you to book club member, Carol Weldon for the suggestion.)

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Grave Goods

Renowned writer, philologist, and critic Miguel Garcia Posada says of this book: “It’s not a stretch to consider it one of the most notable revelations of recent Latin American literature.”

This is not a book of gore. Rather, the majority of these stories are creepy with touches of humor and twists at the end that will make you gasp or laugh in surprise and shock. It takes true talent to convey a solid micro-story and these are incredibly rich and well written for all their brevity. The author leaves much to the imagination which somehow adds more to the story and ups the creep factor.

A slim book, Grave Goods contains 98 pieces of flash fiction from one of Peru's best contemporary writers. While Fernando Iwasaki's stories—like all good horror stories—are intended to disconcert his readers, they are also often humorous in nature. Some re-create or re-envision urban legends, some come from dreams, and some are pure inventions of Iwasaki's remarkable mind.

(Group read suggestion from Beth McCrea, book club co-founder.)

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Hallowe'en Party

At a Hallowe’en party, Joyce – a hostile thirteen-year-old – boasts that she once witnessed a murder. When no-one believes her, she storms off home. But within hours her body is found, still in the house, drowned in an apple-bobbing tub.

That night, Hercule Poirot is called in to find the ‘evil presence’. But first he must establish whether he is looking for a murderer or a double-murderer. And was it even true that she once witnessed a murder? Unmasking a murderer isn't going to be easy for Hercule Poirot—there isn't a soul in Woodleigh who believes this little storyteller was even murdered.

Hallowe'en Party is the 36th book in the Poirot series of detective novels, however, they do not need to be read in order.

Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages.

(A special thank you to book club member, Julie Griffin for the suggestion.)

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The Sisters of Alameda Street

Currently available on Kindle US for $1.99

When Malens tidy, carefully planned world collapses following her father’s mysterious suicide, she finds a letter—signed with an “A”—which reveals that her mother is very much alive and living in San Isidro, a quaint town tucked in the Andes Mountains. Intent on meeting her, Malena arrives at Alameda Street and meets four sisters who couldn’t be more different from one another, but who share one thing in common: all of their names begin with an A.

To avoid a scandal, Malena assumes another woman’s identity and enters their home to discover the truth. Could her mother be Amanda, the iconoclastic widow who opens the first tango nightclub in a conservative town? Ana, the ideal housewife with a less-than-ideal past? Abigail, the sickly sister in love with a forbidden man? Or Alejandra, the artistic introvert scarred by her cousin’s murder? But living a lie will bring Malena additional problems, such as falling for the wrong man and loving a family she may lose when they learn of her deceit. Worse, her arrival threatens to expose long-buried secrets and a truth that may wreck her life.

Set in 1960s Ecuador, The Sisters of Alameda Street is a sweeping story of how one woman’s search for the truth of her identity forces a family to confront their own past.

"A family saga like no other—a story that's hard to put down." —Paula Paul

"This book is great fun. Scenes involving clandestine late-night excursions, visits to a seedy motel, and Malena's unexpected tango performances demonstrate the author's skills in writing comedy—such a rare treat in historical fiction. The many threads are carefully untangled, and the strength of family wins the day. Heartily recommended to saga readers." —Historical Novel Society

"[A] joy to read, with delectably evil villains and gratifyingly strong female characters. When those women face marital, societal, and career limitations, they end up overcoming them with ingenuity." —Santa Fe New Mexican, Pasatiempo

(Group read suggestion from Gemma Ware, book club moderator.)

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Cockfight

Named 1 of the best fiction books of 2018 by the NY Times en Español

In lucid and compelling prose, Ampuero sheds light on the hidden aspects of the home: the grotesque realities of family, coming of age, religion, and class struggle. A family’s maids witness a horrible cycle of abuse, a girl is auctioned off by a gang of criminals, and two sisters find themselves at the mercy of their spiteful brother. With violence masquerading as love, characters spend their lives trapped reenacting their past traumas.

“Heralding a brutal and singular new voice, Cockfight explores the power of the home to both create and destroy those within it.” —Independent Book Review

“Ampuero leads the international wave of Ecuadorian writers.” —NY Times en Español

“Ampuero writes with steely nerves and an ear for the beauty of simple, concrete language—not a word feels out of place.” —Kirkus Reviews

“Deftly written with spare, exacting prose, Cockfight. . . .presents searing portraits of family life.” —Latino Book Review

“Wielded like a righteous cudgel against exploitative power, this Ecuadorian debut makes no bones about its intentions from the get-go. . . . Ampuero fights dirty and, frankly, that’s just the sort of writer we need.” —Center for the Art of Translation

“Ampuero’s literary voice is tough and beautiful at once: her stories are exquisite and dangerous objects.” —Yuri Herrera

“María Fernanda Ampuero’s voice is urgent, intimate, lyrical while never forgetting to cast humor during the darkest of violent moments.” —Ernesto Quiñonez

(Group read suggestion from Beth McCrea, book club co-founder.)

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Funventions

Included with Kindle Unlimited

Written by one of the most important voices of modern Ecuadorian literature. “If you like Borges, Casares, and Cortasar, buy it with your eyes closed!” —Xenia Germeni

While every year there appear scientific and technological advances to puzzle and dazzle us, people keep on loving one another, feeling fear, thinking, searching, working, walking the paths of life. The more things change, the more they stay the same: it's this paradox that Ubidia evokes so well in these stories. He fuses exotic themes, such as edible books, miniature humans proliferating in laboratories, and a crystal city with the quotidian reality of contemporary Latin America. Mixing the actual and the imaginary, he takes us beyond the limits of science and technology and into the labyrinths of the human soul.

Entertaining and profound. In each of these beautiful stories, Ubidia insists that despite its flights of fancy—including art and science—the human mind cannot go far beyond its own fears, desires, and uncertainties.

“Each story, a world. My favorite storyteller of all time.” —Stef León

“Beautifully written. The author has the gift of building exquisite phrases for the delight of the reader…Abdon uses fantasy as an excuse to explore human nature. This is the type of fantasy that succeeds in delivering not only stories to entertain, but also reflections for the reader on key matters about our humanity.” —Isidro

“Abdon Ubidia is regarded in Latin America and elsewhere as one of the most representative and relevant voices of modern Ecuadorian literature.” —Ecuador Fiction

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Jawbone

Finalist for the 2022 National Book Award in Translated Literature, Longlisted for the PEN Translation Prize & Ms. Magazine “Favorite Books of 2022”

Fernanda and Annelise are so close they are practically sisters: a double image, inseparable. So how does Fernanda end up bound on the floor of a deserted cabin, held hostage by one of her teachers and estranged from Annelise?

When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality.

Interweaving pop culture references and horror concepts drawn from Herman Melville, H. P. Lovecraft, and anonymous “creepypastas,” Jawbone is an ominous, multivocal novel that explores the terror inherent in the pure potentiality of adolescence and the fine line between desire and fear.

“Delectable. . . . There are echoes of Lovecraft and Shirley Jackson at play, but the vision is ultimately Ojeda’s own―delicious in how it seduces and disturbs the reader as the girls rely on horror both as entertainment and as a way of staving off the actual terrors of growing up. This is creepy good fun.” ―Publishers Weekly

“Edgar Allan Poe meets a few of the mean girls. . . . Mother-daughter relationships slide under Ojeda’s microscope, sharing space with the teacher-student dynamic and deities as objects in an exploration of power and sexuality during adolescence. . . . Every good horror story needs a victim; Ojeda’s monsters and victims wear the same faces.” ―Kirkus

“Rife with gothic body horror and the darkness of the jungle and within ourselves. . . . Ojeda is a strikingly singular voice, combining basic teen angst with stark madness and the power of teen girls to push back in a world that tries to make them powerless.” ―The Brooklyn Rail

(A special thank you to book club member, Jordi Valbuena for the suggestion.)

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The Other Son of God

The Other Son of God is the English version of Al norte de Dios, the tenth novel by the renowned Ecuadorian writer, Nelson Estupinan Bass. The author situates the work within the realm of the fantastic, a move that enables him to give free rein to his imagination. The protagonist, Satan, is the son that God, in his youth, fathered with an African woman. While serving as God’s aide-de-camp, Satan rebels and is banished to hell. The cause of the rebellion is Satan’s belief that God has been giving preferential treatment to Satan’s brother.

The action begins when God, disappointed with Jesus’ failure to reform man during his stay on earth, sentences Jesus to one year in a prison in hell, summons his black son to heaven, and reassigns the task of man’s rehabilitation to him. Satan accepts the challenge and returns to hell, accompanied by Sister Etelvina, a former nun, who has become bored with life in heaven, and Jesus. The former nun quickly becomes a trusted aide to Satan and is the narrator who describes the physical features of hell as well as the work activities and punishments of the condemned.

On earth, Satan, with the help of seven disciples, works to reform man. He then spends some time in hell before returning to heaven accompanied by Jesus and his family (Jesus gets married while in hell and fathers a child there.) In God’s meeting with Satan and Jesus, the focus of the conversation is on Satan’s activities on earth and God’s ideas for the future of heaven, hell, and earth.

It is worth noting that the author takes pains to examine common social, political and ethical issues encountered in all three settings—heaven, hell and earth—in which the action of the novel unfolds.

(Group read suggestion from Sue Attalla, book club moderator.)

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This World Does Not Belong to Us

Winner English PEN Award

After years away, Lucas returns uninvited to the home he was expelled from as a child. The garden has been conquered by weeds, which blanket his mother’s beloved flowerbeds and his father’s grave alike. A lot has changed since Eloy and Felisberto were invited into the family home to work for Lucas’s father, long ago. The two hulking strangers have brought the land and everyone on it under their control—and removed nuisances like Lucas. Now everything rots. Lucas, a hardened young man, turns to a world that thrives in dirt and darkness: the world of insects. In raw, lyrical prose, García Freire portrays a world brought low by human greed, while hinting at glimmers of hope in the unlikeliest places.

“One of the debut novels that most stood out this year in Latin America.” —NY Times

”Who would have thought that a novel so overflowing with animals, insects, flowers, and shrubs could teach us so much about ourselves?”—Latin American Literature Today

This World Does Not Belong to Us leads the reader into the deepest, darkest regions of human existence, where what is most infected and rotten becomes beautiful and liberating.” —Toda Literatura

“A deliciously menacing read which I just couldn't put down. Every word punches hard.” —Jan Carson

”I am moved by its tenderness, the shadow of its flight, the kingdom it comes from. Insect and poverty. Larva and death.” —Dara Scully

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The Wall

While vacationing in a hunting lodge in the Austrian mountains, a middle-aged woman awakens one morning to find herself separated from the rest of the world by an invisible wall. With a cat, a dog, and a cow as her sole companions, she learns how to survive and cope with her loneliness.

Allegorical yet deeply personal and absorbing, The Wall is at once a critique of modern civilization, a nuanced and loving portrait of a relationship between a woman and her animals, a thrilling survival story, a Cold War-era dystopian adventure, and a truly singular feminist classic.

“Haushofer’s thought-provoking masterpiece stands as a touchstone for popular literary post-apocalypses by such authors as Emily St. John Mandel and Ling Ma and is certain to be a life-changing read for many.” —Library Journal

”A cult classic!” —The New Yorker

''The minimalist plot is enhanced by rich description and wise insight, and the translation succeeds in capturing the author's fluid, lyrical style. Recommended for general readers. —Library Journal

A haunting feminist sci-fi masterpiece and international bestseller that is “as absorbing as Robinson Crusoe” —Doris Lessing, Nobel Prize winner

(Group read suggestion from Beth McCrea, book club co-founder.)

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The Birdwoman's Palate

Food is a window to the soul, and award-winning Indonesian author Laksmi Pamuntjak’s prose is as delicious as the dishes she describes. As Aruna, our frank and funny protagonist, discovers new flavors that awaken unknown truths within her, this lush and nourishing novel invites readers into Indonesia’s diverse mosaic of cuisines and cultures.

Aruna is an epidemiologist dedicated to food and avian politics. One is heaven, the other earth. The two passions blend in unexpected ways when Aruna is asked to research a handful of isolated bird flu cases reported across Indonesia. While it’s put a crimp in her aunt’s West Java farm, and made her own slow-roasted duck dish highly questionable, the investigation does provide an irresistible opportunity. It’s the perfect excuse to get away from corrupt and corrosive Jakarta and explore the spices of the far-flung regions of the islands with her three friends: a celebrity chef, a globe-trotting “foodist,” and her coworker, Farish.

From Medan to Surabaya, Palembang to Pontianak, the four have their fill of local cuisine. With every delicious dish, Aruna discovers a liberating new perspective on her country—and on her life—that will push her to pursue the things she’s only dreamed of doing.

“Pamuntjak’s second novel, The Birdwoman’s Palate, is her delicious love letter to the culinary world. The author, who made her name writing the bible of Jakarta’s food scene, takes us on a journey through the far-flung spots of the Indonesian archipelago, diving not just into the wealth of local cuisines but also the complexity of regional politics with her signature wit and wisdom.” —Yenni Kwok, Time Magazine

“Like Eat, Pray, Love and Without Reservations, The Birdwoman’s Palate offers generous portions of armchair travel and self-reflection, inspiring journeys both inward and outward.” —Gabriella Page-Fort"

Note: Currently free with Kindle Unlimited!

(Group read suggestion from Beth McCrea, book club co-founder.)

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