Longlisted for the Independent Foreign Fiction Prize 2014; winner of the 2014 Saif Ghobash Banipal Prize for Arabic Literary Translation
Young Jawad, born to a traditional Shi’ite family of corpse washers and shrouders in Baghdad, decides to abandon the family tradition, choosing instead to become a sculptor—to celebrate life rather than tend to death. He enters Baghdad’s Academy of Fine Arts in the late 1980s, in defiance of his father’s wishes and determined to forge his own path. But the circumstances of history dictate otherwise. Saddam Hussein’s dictatorship and the economic sanctions of the 1990s destroy the socioeconomic fabric of society. The 2003 invasion and military occupation unleash sectarian violence. Corpses pile up, and Jawad returns to the inevitable washing and shrouding. Trained as an artist to shape materials to represent life aesthetically, he now must contemplate how death shapes daily life and the bodies of Baghdad’s inhabitants.
Through the struggles of a single desperate family, Sinan Antoon’s novel shows us the heart of Iraq’s complex and violent recent history. Descending into the underworld where the borders between life and death are blurred and where there is no refuge from unending nightmares, Antoon limns a world of great sorrows, a world where the winds wail.
“Sinan Antoon’s self-translated (from Arabic) novel . . . is a book that comes bearing bittersweet gifts. The story can only be described as a tragedy of accumulated loss, but the language Antoon employs—simple, direct, fiercely poetic—is an affirmation of life and culture.”—Minneapolis Star Tribune
“Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion, and then the 2003 war.”—Three Percent
(A special thank you to book club member, Eydis West for the suggestion.)