Benjamin Law considers himself pretty lucky to live in Australia: he can hold his boyfriend's hand in public and lobby his politicians to recognize same-sex marriage. But as the child of immigrants, he's also curious about how different life might have been had he grown up in Asia. So he sets off to meet his fellow Gaysians. Law takes his investigative duties seriously, going nude where required in Balinese sex resorts, sitting backstage for hours with Thai ladyboy beauty contestants, and trying Indian yoga classes designed to cure his homosexuality. The characters he meets—from Tokyo's celebrity drag queens to HIV-positive Burmese sex workers and Malaysian ex-gay Christian fundamentalists to Chinese gays and lesbians who marry each other to please their parents—all teach him something new about being queer in Asia. At once entertaining and moving, Gaysia is a wild ride and a fascinating quest by a leading Australian writer.
”Law has achieved what seems the impossible: an enjoyable read, full of titillation, yet deep with sociological observations, along with a clear understanding of Asian history. Whether you’re planning a trip to Asia, an armchair tourist, or merely curious, Gaysia is a book you should add to your collection.” —Routledge
”In between the funny asides and sharp perceptions, Law offers serious observations to show that Asia may be halfway around the world, but it’s closer than we think. Funny and charming and worthy of being tucked in your carryon this summer.” —Terri Schlichenmeyer
The Birdwoman's Palate
Food is a window to the soul, and award-winning Indonesian author Laksmi Pamuntjak’s prose is as delicious as the dishes she describes. As Aruna, our frank and funny protagonist, discovers new flavors that awaken unknown truths within her, this lush and nourishing novel invites readers into Indonesia’s diverse mosaic of cuisines and cultures.
Aruna is an epidemiologist dedicated to food and avian politics. One is heaven, the other earth. The two passions blend in unexpected ways when Aruna is asked to research a handful of isolated bird flu cases reported across Indonesia. While it’s put a crimp in her aunt’s West Java farm, and made her own slow-roasted duck dish highly questionable, the investigation does provide an irresistible opportunity. It’s the perfect excuse to get away from corrupt and corrosive Jakarta and explore the spices of the far-flung regions of the islands with her three friends: a celebrity chef, a globe-trotting “foodist,” and her coworker, Farish.
From Medan to Surabaya, Palembang to Pontianak, the four have their fill of local cuisine. With every delicious dish, Aruna discovers a liberating new perspective on her country—and on her life—that will push her to pursue the things she’s only dreamed of doing.
“Pamuntjak’s second novel, The Birdwoman’s Palate, is her delicious love letter to the culinary world. The author, who made her name writing the bible of Jakarta’s food scene, takes us on a journey through the far-flung spots of the Indonesian archipelago, diving not just into the wealth of local cuisines but also the complexity of regional politics with her signature wit and wisdom.” —Yenni Kwok, Time Magazine
“Like Eat, Pray, Love and Without Reservations, The Birdwoman’s Palate offers generous portions of armchair travel and self-reflection, inspiring journeys both inward and outward.” —Gabriella Page-Fort"
Note: Currently free with Kindle Unlimited!
(Group read suggestion from Beth McCrea, book club co-founder.)
Narrow Road to the Interior
Here is the most complete single-volume collection of the writings of one of the great luminaries of Asian literature. Basho (1644–1694)—who elevated the haiku to an art form of utter simplicity and intense spiritual beauty—is best known in the West as the author of Narrow Road to the Interior, a travel diary of linked prose and haiku that recounts his journey through the far northern provinces of Japan. This volume includes a masterful translation of this celebrated work along with three other less well-known but important works by Basho: Travelogue of Weather-Beaten Bones, The Knapsack Notebook, and Sarashina Travelogue. There is also a selection of over two hundred fifty of Basho's finest haiku. In addition, the translator has provided an introduction detailing Basho's life and work and an essay on the art of haiku.
Note: A variety of different translations are available with this version translated by Sam Hamill recommended as the best.
Amsterdam
“A strong sense of irony and a lively prose style make Amsterdam one of the most unusual and engaging 'city books' I have read this year.” - Sunday Times
“Mak's brief is . . . to bring Amsterdam into the modern age. This he does with wit and style. But his real achievement . . . is to make accessible unfussily—and unsentimentally—one of Europe's most astonishing urban success stories.” - Financial Times
“A magnet for trade and travelers from all over the world, stylish, cosmopolitan Amsterdam is a city of dreams and nightmares, of grand civic architecture and legendary beauty, but also of civil wars, bloody religious purges, and the tragedy of Anne Frank.
In this fascinating examination of the city's soul, part history, part travel guide, Geert Mak imaginatively recreates the lives of the early Amsterdammers, and traces Amsterdam's progress from waterlogged settlement to a major financial centre and thriving modern metropolis.”
Red Dust
“Honest, raw, insightful. . . . The Chinese equivalent of On the Road.” - Time
“[Ma’s] powers of description make every page buzz with life. . . . Someone who could rank among the great travel writers.” –The NY Times Book Review
“A tour de force, a powerfully picaresque cross between the sort of travel book any Western author would give his eye-teeth to write, and a disturbing confession.” - The Independent
“Ma captures the feel of wandering off China’s beaten track, which is to say most of the country, far from the tour buses and souvenir stands.” –Los Angeles Times
In 1983, at the age of thirty, dissident artist Ma Jian finds himself divorced by his wife, separated from his daughter, betrayed by his girlfriend, facing arrest for ‘Spiritual Pollution,’ and severely disillusioned with the confines of life in Beijing. So with little more than a change of clothes and two bars of soap, Ma takes off to immerse himself in the remotest parts of China.
His journey would last three years and take him through smog-choked cities and mountain villages, from scenes of barbarity to havens of tranquility.
Remarkably written and subtly moving, the result is an insight into the teeming contradictions of China that only a man who was both insider and outsider in his own country could have written.”
(A special thank you to book club member, Judy Tanguay for the suggestion.)
We, the Drowned
“An international hit, this bold seafaring epic spans 100 years in the lives of the men and women from a small town on an island off the Danish coast.
Carsten Jensen’s debut novel has taken the world by storm. Already hailed in Europe as an instant classic, We, the Drowned is the story of the port town of Marstal, whose inhabitants have sailed the world’s oceans aboard freight ships for centuries. Spanning over a hundred years, from the mid-nineteenth century to the end of the Second World War, and from the barren rocks of Newfoundland to the lush plantations of Samoa, from the roughest bars in Tasmania, to the frozen coasts of northern Russia, We, the Drowned spins a magnificent tale of love, war, and adventure, a tale of the men who go to sea and the women they leave behind.
Ships are wrecked at sea and blown up during wars, they are places of terror and violence, yet they continue to lure each generation of Marstal men away. Strong, resilient, women raise families alone and sometimes take history into their own hands. There are cannibals here, shrunken heads, prophetic dreams, forbidden passions, cowards, heroes, devastating tragedies, and miraculous survivals—everything that a town like Marstal has actually experienced, and that makes We, the Drowned an unforgettable novel, destined to take its place among the greatest seafaring literature.”