magical realism

The Baghdad Clock

Shortlisted for the International Prize for Arabic Fiction 2018, winner of the Edinburgh First Book Award

Baghdad, 1991. The Gulf War is raging. Two girls, hiding in an air raid shelter, tell stories to keep the fear and the darkness at bay, and a deep friendship is born. But as the bombs continue to fall and friends begin to flee the country, the girls must face the fact that their lives will never be the same again.

This poignant debut novel reveals just what it's like to grow up in a city that is slowly disappearing in front of your eyes, and how in the toughest times, children can build up the greatest resilience.

“Vivid, at times surreal… this novel confronts the reality of Baghdad in the final decade of the twentieth century through the vision of a girl who often imbues it with wonder and beauty.” – TLS

“With tremendous talent and a sharp intelligence, Al Rawi delivers an outstanding debut. Highly recommended.” –Library Journal (starred review)

“This stirring debut follows two girls and their lives as they grow up in the war-torn city of Iraq. A poignant portrayal of the enduring bond of friendship, infused with a touch of magical realism.” —Book Riot

“Al Rawi’s debut presents the so-called enemy imbued with childhood whimsy and human longing, their quotidian stories embellished with touches of magic realism. Rendered into English by Harvard professor Leafgren, who was inspired by 9/11 to learn Arabic, this international bestseller is both condemnation against politics and war and testimony to resilient humanity.” —Booklist

“[Shahad Al Rawi] has skilfully interwoven fantasy and reality with a fine thread. She draws you through the story, leading you from one maze into another, as you stagger along in a state of perplexity, amazement and sheer delight.” —al-Watan

(A special thank you to book club member, LeeAnn Marshall Gilbert for the suggestion.)

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The Blind Earthworm in the Labyrinth

Tuned to the rhythms of the soap operas that air on Thai television each night and written with the consuming intensity of a fever dream, this novel opens an insightful and truly compelling window into the Thai heart.

This is a melodrama about a ship-wrecked relationship.

Set in Thailand and traveling loosely over the 1980s and ‘90s, with mention of a political incident in 2010, this sad and beautiful book begins on the day Chareeya is born, the same day her mother discovers her father having an affair with a traditional Thai dancer. From that moment on, Chareeya’s life is bound to the weight of her parents’ disappointments.

She and her sister Chalika grow up in a lush, tranquil riverside town near the Thai capital of Bangkok, captivated by romance novels, classical music and games of make-believe. As children, the two develop a friendship with an orphaned boy, Pran. Over time these childhood friends find themselves lost between unrequited desires and fantastical dreams that are realer than their everyday lives. The culmination of the story comes as neither Chareeya, Chalika, nor Pran can exit safely from the intertwined labyrinth of their fates.

The author’s lyrical prose is enchanting: the book is filled with the colors, sounds and fragrances of Thailand. Her language has a hazy cinematic effect as characters maneuver through magical remembrances of events gone by, often failing to confront the problems in front of them.

Dangerous and irresistible, the story can be read either as a nod to old-fashioned Thai romances, or as a sophisticated, literary upgrade of the soap opera drama, or as a bitter commentary on the myths, smokescreens and delusions that seem to have disoriented the Thai people with many years’ heartbreak in attendance.

The Blind Earthworm in the Labyrinth won the 2015 S.E.A. Award, Southeast Asia’s most prestigious literary prize. It is now masterfully translated into English by Kong Rithdee, film critic and award-winning author in her own right.

(A special thank you to book club member, Jordi Valbuena for the suggestion.)

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Mount Pleasant

A majestic tale of colonialism and transformation, Patrice Nganang's Mount Pleasant tells the astonishing story of the birth of modern Cameroon, a place subject to the whims of the French and the Germans, yet engaged in a cultural revolution.

In 1931, Sara is taken from her family and brought to Mount Pleasant as a gift for Sultan Njoya, a ruler cast into exile by French colonialists. Merely 9 years old, she is on the verge of becoming the sultan’s 681st wife. But when she is dragged to Bertha, the long-suffering slave charged with training Njoya’s brides, Sara’s life takes a curious turn. Bertha sees within this little girl her son Nebu, who died tragically years before, and she saves Sara from her fate by disguising her as her son. In Sara’s new life as a boy she bears witness to the world of Sultan Njoya—a magical yet vulnerable community of artists and intellectuals—and learns of the sultan’s final days and the sad fate of Nebu, the greatest artist their culture had ever seen.

Seven decades later, a student returns home to Cameroon to learn about the place it once was, and she finds Sara, silent for years, ready to tell her story. But her serpentine tale, entangled by flawed memory and bursts of the imagination, reinvents history anew.

“Nganang’s dazzling novel [stands] in a league of its own, so different from the great majority of novels by African writers in the past fifty or sixty years.” —Counterpunch

”Nganang delivers a modern epic, tinged with liberal doses of magical realism, of life in his country's colonial era . . . An elegantly drawn and engaging world of a sort unknown to most readers—but one they'll be glad to have visited.” —Kirkus Reviews

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Gods of Jade and Shadow

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Nebula Award Finalist & Named One of the Best Books of the Year by NPR, Tor, the NY Public Library, & Book Riot

The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty, small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it–and accidentally frees the spirit of the Mayan God of Death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true.

In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey, from the jungles of Yucatán to the bright lights of Mexico City–and deep into the darkness of the Mayan underworld.

“A spellbinding fairy tale rooted in Mexican mythology . . . Gods of Jade and Shadow is a magical fairy tale about identity, freedom, and love, and it's like nothing you've read before.” —Bustle

(A special thank you to book club member, Carol Weldon for the suggestion.)

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Man Tiger

Longlisted for the Man Booker International Prize 2016 & winner of the Financial Times Emerging Voices Fiction Award 2016

A wry, affecting tale set in a small town on the Indonesian coast, Man Tiger tells the story of two interlinked and tormented families and of Margio, a young man ordinary in all particulars except that he conceals within himself a supernatural female white tiger. The inequities and betrayals of family life coalesce around and torment this magical being. An explosive act of violence follows, and its mysterious cause is unraveled as events progress toward a heartbreaking revelation.

Lyrical and bawdy, experimental and political, this extraordinary novel announces the arrival of a powerful new voice on the global literary stage.

”Without a doubt the most original, imaginatively profound, and elegant writer of fiction in Indonesia today.” —Benedict Anderson

“A supernatural tale of murder and desire fascinatingly subverts the crime genre … Kurniawan’s writing demonstrates an affinity with literary heavyweights such as, yes, García Márquez and Dostoevsky.” —Guardian

“Brash, worldly and wickedly funny, Eka Kurniawan may be South-East Asia’s most ambitious writer in a generation... Eka is shaping up to be [Indonesia's] Murakami: approaching social concerns at an angle rather than head-on, with hefty doses of surrealism and wry humour.” —The Economist

(Group read suggestion from Gemma Ware, book club moderator.)

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Black Water Sister

One of BookPage's Best Books of 2021
Winner of AudioFile Earphones Award 2021 Best Audiobook
One of Book Riot's Best SFF Standalones of 2021
One of Tor Reviewers' Choice Best Books of 2021

A twisty, feminist, and enthralling page-turner steeped in Malaysian mythology. (BuzzFeed)

When Jessamyn Teoh starts hearing a voice in her head, she chalks it up to stress. Closeted, broke and jobless, she’s moving back to Malaysia with her parents—a country she last saw when she was a toddler.

She soon learns the new voice isn’t even hers, it’s the ghost of her estranged grandmother. Drawn into a world of Malaysian myth and real-world consequences filled with gods, ghosts, and family secrets, Jess finds that making deals with capricious spirits is a dangerous business, but dealing with her grandmother is just as complicated.

“[Focusing on] Malaysia’s Chinese diaspora culture. . . an immersive tale of family secrets, deities, spirits, and religious belief. Cho offers a complex emotional roller-coaster of a read.”—Library Journal

“Ghosts. Gods. Gangsters. Wildly entertaining…Black Water Sister has it all!”—Vulture

“Cho’s multifaceted characters, like her masterful plot, are never quite what they first appear. Unpredictable twists keep the pages turning while the comic but endearing relationship between Jess and her sassy grandmother provides the story’s heart. This is a must-read.”—Publishers Weekly

Note: Outstanding on audio!

(Group read suggestion from Beth McCrea, book club co-founder. +A staff recommendation of hers.)

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Exit West

Finalist for the Booker Prize & winner of the L.A. Times Book Prize for Fiction & the Aspen Words Literary Prize
 
A New York Times bestseller, the astonishingly visionary love story that imagines the forces that drive ordinary people from their homes into the uncertain embrace of new lands…
 
In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. . . .

Exit West follows these remarkable characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.

“A breathtaking novel…[that] arrives at an urgent time.” —NPR
 
“It was as if Hamid knew what was going to happen to America and the world, and gave us a road map to our future… At once terrifying and … oddly hopeful.” —The New York Times Book Review
 
“Moving, audacious, and indelibly human.” —Entertainment Weekly, “A” rating

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The Enlightenment of the Greengage Tree

Shortlisted for the 2020 International Booker Prizer

From the pen of one of Iran’s rising literary stars, The Enlightenment of the Greengage Tree is a family story about the unbreakable connection between the living and the dead.

Set in Iran in the decade following the 1979 Islamic Revolution, this moving, richly imagined novel is narrated by the ghost of Bahar, a thirteen-year-old girl, whose family is compelled to flee their home in Tehran for a new life in a small village, hoping in this way to preserve both their intellectual freedom and their lives. But they soon find themselves caught up in the post-revolutionary chaos that sweeps across their ancient land and its people. Bahar’s mother, after a tragic loss, will embark on a long, eventful journey in search of meaning in a world swept up in the post-revolutionary madness.

The Enlightenment of the Greengage Tree speaks of the power of imagination when confronted with cruelty, and of our human need to make sense of trauma through the ritual of storytelling itself. Through her unforgettable characters, Azar weaves a timely and timeless story that juxtaposes the beauty of an ancient, vibrant culture with the brutality of an oppressive political regime.

“If ever there was a book that needs to be read more than once, this is it.” —ArtsHub

“[Azar’s] book is a great journey. It moves places and it moves us as readers, in an emotional and intellectual sense.” —The Los Angeles Review of Books

(Group read suggestion from Gemma Ware, book club moderator.)

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Doña Barbara

Rómulo Gallegos is best known for being Venezuela’s first democratically elected president. But in his native land, he is equally famous as a writer responsible for one of Venezuela’s literary treasures, the novel Doña Barbara. Published in 1929 and all but forgotten by Anglophone readers, Doña Barbara is one of the first examples of magical realism, laying the groundwork for later authors such as Gabriel García Márquez and Mario Vargas Llosa.

Following the epic struggle between two cousins for an estate in Venezuela, Doña Barbara is an examination of the conflict between town and country, violence and intellect, male and female. Doña Barbara is a beautiful and mysterious woman—rumored to be a witch—with a ferocious power over men. When her cousin Santos Luzardo returns to the plains in order to reclaim his land and cattle, he reluctantly faces off against Doña Barbara, and their battle becomes simultaneously one of violence and seduction. All of the action is set against the stunning backdrop of the Venezuelan prairie, described in loving detail. Gallegos’s plains are filled with dangerous ranchers, intrepid cowboys, and damsels in distress, all broadly and vividly drawn. A masterful novel with an important role in the inception of magical realism, Doña Barbara is a suspenseful tale that blends adventure, fantasy, and romance.

Hailed as “the Bovary of the llano” and “possibly the most widely known Latin American novel,” Doña Barbara features a magnetic and memorable heroine, who has inspired numerous adaptations on the big and small screens.

“Remarkable. . . . From its first pages it reveals . . . why it made Gallegos famous. . . . If Señor Gallegos is one-half as good a President as he is a novelist, Venezuela is a lucky land.” ―New York Times

“An exciting heroic tale of the life of Venezuelan plainsmen, master and peons, ranchers and cowboys and horse thieves.” ―New Republic

(A special thank you to book club member, Jordi Valbuena for the suggestion.)

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Imaginings of Sand

When expatriate Afrikaner Kristien Müller hears of her grandmother's impending death, she ends her self-imposed exile in London and returns to the South Africa she thought she'd escaped. But irrevocable change is sweeping the land, and reality itself seems to be in flux as the country stages its first democratic elections.

Kristien's Ouma Kristina herself is dying because of the upheavals—a terrorist attack on her isolated mansion has terminally injured her. As Kristien keeps vigil by her grandmother's sickbed, Ouma tells Kristien stories of nine generations of women in the family, stories in which myth and reality blur, in which legend and brute fact are confused, in which magic, treachery, farce, and heroism are the stuff of the day-to-day.

Imaginings of Sand is the passionate tale of a nation discovering itself and of the women who pioneered that discovery.

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Confession of the Lioness

A finalist for the Man Booker International Prize & shortlisted for the International Dublin Literary Award

“A dark, poetic mystery about the women of the remote village of Kulumani and the lionesses that hunt them.

Told through two haunting, interwoven diaries, Mia Couto's Confession of the Lioness reveals the mysterious world of Kulumani, an isolated village in Mozambique whose traditions and beliefs are threatened when ghostlike lionesses begin hunting the women who live there.

Mariamar, a woman whose sister was killed in a lioness attack, finds her life thrown into chaos when the outsider Archangel Bullseye, the marksman hired to kill the lionesses, arrives at the request of the village elders. Mariamar's father imprisons her in her home, where she relives painful memories of past abuse and hopes to be rescued by Archangel. Meanwhile, Archangel tracks the lionesses in the wilderness, but when he begins to suspect there is more to them than meets the eye, he starts to lose control of his hands. The hunt grows more dangerous, until it's no safer inside Kulumani than outside it. As the men of Kulumani feel increasingly threatened by the outsider, the forces of modernity upon their traditional culture, and the danger of their animal predators closing in, it becomes clear the lionesses might not be real lionesses at all but spirits conjured by the women themselves.

Both a riveting mystery and a poignant examination of women's oppression, Confession of the Lioness explores the confrontation between the modern world and ancient traditions to produce an atmospheric, gripping novel.”

(Group read suggestion from Beth McCrea, book club co-founder.)

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Woman of the Ashes

Finalist for the Man Booker International Prize

Alternating between two voices in both an oral and letter format, this is the first in a trilogy about the last emperor of southern Mozambique

“Southern Mozambique, 1894. Sergeant Germano de Melo is posted to the village of Nkokolani to oversee the Portuguese conquest of territory claimed by Ngungunyane, the last of the leaders of the state of Gaza, the second-largest empire led by an African. Ngungunyane has raised an army to resist colonial rule and with his warriors is slowly approaching the border village.

Desperate for help, Germano enlists Imani, a 15 year-old girl, to act as his interpreter. But when he develops romantic feelings for her, he fears that the attraction will compromise his mission. She belongs to the VaChopi tribe, one of the few who dared side with the Portuguese. But while one of her brothers fights for the Crown of Portugal, the other has chosen the African emperor. Standing astride two kingdoms, Imani is drawn to Germano, just as he is drawn to her. But she knows that in a country haunted by violence, the only way out for a woman is to go unnoticed, as if made of shadows or ashes. 

Alternating between the voices of Imani and Germano, Woman of the Ashes combines vivid folkloric prose, magical realism, and extensive historical research to give a spellbinding and unsettling account of war-torn Mozambique at the end of the nineteenth century.”

(A special thank you to book club member, Eydis West for the group read suggestion.)

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The Cuban Comedy

“A love story steeped in political satire, poetry, and the lightest touches of magical realism, Medina has created a bold, funny narrative with an uncanny heroine at its core: Elena of Piedra Negra, Cuba.

Piedra Negra is an isolated village, whose citizens consist mainly of soldiers injured in the revolution who pass the time drinking a firewater so intense, all hallucinate, and most never recover. The firewater distiller's daughter Elena longs to be a poet, and after a chance encounter with Daniel Arcilla, Cuba's most important poet, Elena wins a national poetry prize and leaves Piedra Negra behind for Havana. There, she encounters a population adjusting to a new way of life, post-revolution: there are spies and secret meetings, black marketeers, and censorship.

Full of outlandish humor and insights into an often contradictory and kafkaesque regime, Medina brings 1960s Cuba to life through the eyes of Elena.”

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The Island of Eternal Love

"A magical new novel ‘of loss and love across more than a century of Cuba's past.’ -Chicago Sun-Times)

"It's a rich, moving, musical novel, which has already won the Best Spanish Language Book prize in the Florida Book Awards, and that only makes you wonder where the English versions are of the rest of Chaviano's works." -LOCUS Magazine

“Melodious . . . reminiscent of Isabel Allende’s The House of the Spirits . . . a dream-like haze hangs over the novel from start to finish.” -Críticas

”Alone in a city that haunts her, far from her family, her history, and the island she left behind, Cecelia seeks refuge in a bar in Little Havana where a mysterious old woman's fascinating tale keeps Cecelia returning night after night. Her powerful story of long-vanished epochs weaves the saga of three families from far-flung pieces of the world whose connection forms the kind of family that Cecelia has long been missing-one cast from legendary, unbreakable love. As Cecelia falls under the story's heady sway, she discovers the source of the visions that plague her, and a link to the past she cannot shake.”

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Kappa Quartet

Shortlisted for the Singapore Book Awards (Best Book Cover Design)

Epigram Books Fiction Prize Longlist

”Kevin is a young man without a soul, holidaying in Tokyo; Mr. Five, the enigmatic kappa, is the man he so happens to meet. Little does Kevin know that kappas—the river demons of Japanese folklore—desire nothing more than the souls of other humans.

Set between Singapore and Japan, Kappa Quartet is split into eight discrete sections, tracing the rippling effects of this chance encounter across a host of other characters, connected and bound to one another in ways both strange and serendipitous. Together they ask one another: what does it mean to be in possession of something nobody has seen before?”

After reading this novel, some reviewers have cited a comparison to the author Murakami while others have noted some flashes of suppressed terror more Kafkaesque. Each section narrated by a different character loosely intertwined together is certainly reminiscent of David Mitchell's better work with that same thrill you find in connecting the characters & discovering different facets of the story.

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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The Shadow of the Wind

“Gabriel García Márquez meets Umberto Eco meets Jorge Luis Borges for a sprawling magic show." -The NY Times Book Review

”Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets—an epic story of murder, madness, and doomed love.”

”Anyone who enjoys novels that are scary, erotic, touching, tragic and thrilling should rush right out to the nearest bookstore and pick up The Shadow of the Wind. Really, you should.” -The Washington Post

"Wonderous... masterful... The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero." -Entertainment Weekly (Editor's Choice)

"One gorgeous read." - Stephen King

(A special thank you to book club member, Caity Greig for the group read suggestion.)

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A General Theory of Oblivion

Winner of the 2017 Dublin International Literary Award, winner of the English Pen Award, shortlisted for the Man Booker International Prize 2016, & shortlisted for the 3% Best Translated Book Award

“The story challenges what we imagine to be the clearly drawn lines between 'hero' and 'villain' and forces a reconsideration of history and our fictions. It does what the best of literature ought to do: keep us glued to our seats, unable to break away.“ - Words Without Borders

“On the eve of Angolan independence, Ludo bricks herself into her apartment, where she will remain for the next thirty years. She lives off vegetables and pigeons, burns her furniture and books to stay alive and keeps herself busy by writing her story on the walls of her home.

As the country goes through various political upheavals from colony to socialist republic to civil war to peace and capitalism, the world outside seeps into Ludo's life through snippets on the radio, voices from next door, glimpses of someone peeing on a balcony, or a man fleeing his pursuers. A General Theory of Oblivion is a perfectly crafted, wild patchwork of a novel, playing on a love of storytelling and fable.”

(A special thank you to book club member, Leslie Tchaikovsky for the suggestion.)

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The Book of Chameleons

Winner of the Independent Foreign Fiction Prize 2007

"A subtle beguiling story of shifting identities." - Kirkus

“Félix Ventura trades in an unusual commodity; he is a dealer in memories, clandestinely selling new pasts to people whose futures are secure and who lack only a good lineage to complete their lives. In this completely original murder mystery, where people are not who they seem and the briefest of connections leads to the forging of entirely new histories, a bookish albino, a beautiful woman, a mysterious foreigner, and a witty talking lizard come together to discover the truth of their lives. Set in Angola, Agualusa's tale darts from tormented past to dream-filled present with a lightness that belies the savage history of a country in which many have something to forget—and to hide. 

A brilliant American debut by one of the most lauded writers in the Portuguese-speaking world, this is a beautifully written and always surprising tale of race, truth, and the transformative power of creativity.”

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Transparent City

A Vanity Fair “Hot Type” book, A Globe and Mail best book of 2018, a Lit Hub favorite book of the year, a World Literature Today notable translation, & winner of the José Saramago Prize

“Darkly pretty...peppered with poetry...These disparate stories are woven into a beautiful narrative that touches on government corruption, the privatization of water, the dangers of extracting oil for wealth, and the bastardization of religion for profit.. The novel reads like a love song to a tortured, desperately messed-up city that is undergoing remarkable transformations." - Publishers Weekly

“In a crumbling apartment block in the Angolan city of Luanda, families work, laugh, scheme, and get by. In the middle of it all is the melancholic Odonato, nostalgic for the country of his youth and searching for his lost son. As his hope drains away and as the city outside his doors changes beyond all recognition, Odonato’s flesh becomes transparent and his body increasingly weightless. A captivating blend of magical realism, scathing political satire, tender comedy, and literary experimentation, Transparent City offers a gripping and joyful portrait of urban Africa quite unlike any before yet published in English, and places Ondjaki, indisputably, among the continent’s most accomplished writers.”

(A special thank you to book club member, Carol Weldon for the suggestion.)

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Augustown

“11 April 1982: a smell is coming down John Golding Road right alongside the boy-child, something attached to him, like a spirit but not quite. Ma Taffy is growing worried. She knows that something is going to happen. Something terrible is going to pour out into the world. But if she can hold it off for just a little bit longer, she will. So she asks a question that surprises herself even as she asks it, ‘Kaia, I ever tell you bout the flying preacherman?’

Set in the backlands of Jamaica,  Augustown is a magical and haunting novel of one woman’s struggle to rise above the brutal vicissitudes of history, race, class, collective memory, violence, and myth.

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