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You’ve Changed

In this electric debut essay collection, a Myanmar millennial playfully challenges us to examine the knots and complications of immigration status, eating habits, Western feminism in an Asian home, and more, guiding us toward an expansive idea of what it means to be a Myanmar woman today.

What does it mean to be a Myanmar person—a baker, swimmer, writer and woman—on your own terms rather than those of the colonizer? These irreverent yet vulnerable essays ask that question by tracing the journey of a woman who spent her young adulthood in the US and UK before returning to her hometown of Yangon, where she still lives.

In You’ve Changed, Pyae takes on romantic relationships whose futures are determined by different passports, switching accents in American taxis, the patriarchal Myanmar concept of hpone which governs how laundry is done, swimming as refuge from mental illness, pleasure and shame around eating rice, and baking in a kitchen far from white America’s imagination.

Throughout, she wrestles with the question of who she is—a Myanmar woman in the West, a Western-educated person in Yangon, a writer who refuses to be labeled a “race writer.” With intimate and funny prose, Pyae shows how the truth of identity may be found not in stability, but in its gloriously unsettled nature.

“A fresh and insightful debut.” —The New York Times Book Review

“Readers are gifted a funny, insightful, and beautifully written collection of essays . . . A must for your bookshelf . . . Incisive and exciting.” —Sarah Neilson, Shondaland

“Decisive and deft . . . Reading You’ve Changed is akin to conversing late into the night with an intelligent friend.” —Jisu Kim, LIBER: A Feminist Review

“A vivacious debut nonfiction collection showcasing wise-beyond-her-years insight (she’s 25 in her first essay), biting impatience, and plenty of unfiltered humor . . . Illuminating, entertaining essays about coming of age between languages, cultures, and born-into and chosen families.” —Booklist (starred review)

“Thought-provoking, poignant, and a delight to read . . . A refreshingly honest, original exploration of personal identity.” —Kirkus Reviews (starred review)

(A special thank you to book club member, Karen Van Drie for the suggestion.)

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The Myth of Sisyphus and Other Essays

Written by a Nobel Prize-winning author

“Thinking is learning all over again how to see, directing one's consciousness, making of every image a privileged place.”

One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought.

Influenced by works such as Don Juan and the writings of Kafka, Kierkegaard, Schopenhauer, and Nietzsche, these philosophical essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning.

With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

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I Hope We Choose Love

American Library Association Stonewall Book Awards Honor Book & Winner, Publishing Triangle Award for Trans and Gender-Variant Literature

What can we hope for at the end of the world? What can we trust in when community has broken our hearts? What would it mean to pursue justice without violence? How can we love in the absence of faith?

In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, acclaimed poet and essayist Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness. Taking its cues from contemporary thought leaders in the transformative justice movement such as Adrienne MareeBrown and Leah Lakshmi Piepzna-Samarasinha, this provocative book is a call for nuance in a time of political polarization, for healing in a time of justice, and for love in an apocalypse.

“In this brave and skillfully written collection of essays, Kai Cheng Thom dares to be really honest—to write truths that go beyond easy orthodoxy to her and our own messy, complex, real stories. As a suicide survivor and someone who does work around suicide in queer and femme communities, I deeply appreciate her clarity about how suicide shows up in queer and trans communities and the ways in which social justice, queer, trans and/or Black and brown communities turn on and hurt each other while trying to keep ourselves safe. This is a brave book, and an essential text for everyone trying like hell to create something that will come after the end of the world. Read it, and prepare to have your mind challenged and opened.” —Leah Lakshmi Piepzna-Samarasinha, author of Care Work: Dreaming Disability Justice

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Sexographies

In fierce and sumptuous first-person accounts, renowned Peruvian journalist Gabriela Wiener records infiltrating the most dangerous Peruvian prison, participating in sexual exchanges in swingers clubs, traveling the dark paths of the city in the company of prostitutes, undergoing a complicated process of egg donation, and participating in a ritual of ayahuasca ingestion in the Amazon jungle—all while taking us on inward journeys that explore immigration, maternity, fear of death, ugliness, and threesomes. Fortunately, our eagle-eyed voyeur emerges from her narrative forays unscathed and ready to take on the kinks, obsessions, and messiness of our lives. Sexographies is an eye-opening, kamikaze journey across the contours of the human body and mind.

“The most striking quality of Sexographies is Wiener’s fearlessness―her ability to broach any topic without the slightest flinch, however unfamiliar or achingly personal…. her essays do not deal solely in sex, as the title of the collection may suggest, but in the exploration of identity and gender. How are we to make sense of our own bodies and the bodies of others? Why is it that we with the internet at our fingertips supposedly know more than ever, yet often experience less and are less open to the experiences of others? Wiener urges us to ask these questions in order to uncover the artificial boundaries that have confined us to our own experiences. Nothing is off limits to Gabriela Wiener and she spares her readers no detail of her adventures. The result is Sexographies―an addictive and darkly funny collection that surprises at every turn.” —The Arkansas International

(Group read suggestion from Beth McCrea, book club co-founder.)

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Can You Tolerate This?

A dazzling—and already prizewinning—collection of essays on youth and aging, ambition and disappointment, Katherine Mansfield tourism and New Zealand punk rock, and the limitations of the body.

Youth and frailty, ambition and anxiety, the limitations of the body and the challenges of personal transformation: these are the undercurrents that animate acclaimed poet Ashleigh Young’s first collection of essays. In Can You Tolerate This?—the title comes from the question chiropractors ask to test a patient’s pain threshold—Young ushers us into her early years in the faraway yet familiar landscape of New Zealand: fantasizing about Paul McCartney, cheering on her older brother’s fledging music career, and yearning for a larger and more creative life. As Young’s perspective expands, a series of historical portraits—a boy who grew new bone wherever he was injured, an early French postman who built a stone fortress by hand, a generation of Japanese shut-ins—strike unexpected personal harmonies, as an unselfconscious childhood gives way to painful shyness in adolescence. As we watch Young fall in and out of love, undertake an intense yoga practice that masks an eating disorder, and gradually find herself through her writing, a highly particular psyche comes into view: curious, tender, and exacting in her observations of herself and the world around her.

Can You Tolerate This? presents a vivid self-portrait of an introspective yet widely curious young woman, the colorful, isolated community in which she comes of age, and the uneasy tensions—between safety and risk, love and solitude, the catharsis of grief and the ecstasy of creation—that define our lives.

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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I Write What I Like

“The most potent weapon in the hands of the oppressor is the mind of the oppressed.” Like all of Steve Biko’s writings, those words testify to the passion, courage, and keen insight that made him one of the most powerful figures in South Africa’s struggle against apartheid. They also reflect his conviction that black people in South Africa could not be liberated until they united to break their chains of servitude, a key tenet of the Black Consciousness movement that he helped found.

I Write What I Like contains a selection of Biko’s writings from 1969, when he became the president of the South African Students’ Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon.

Biko’s writings will inspire and educate anyone concerned with issues of racism, postcolonialism, and black nationalism.

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The Inner Immigrant

“These essayistic short stories, penned over a thirty-year period, follow Fabian, Mihkel Mutt’s strange and self-indulgent alter ego, and his adventures in newly independent Estonia. The inner monologues of the chronically indecisive, worrying, apathetic, self-conscious and skeptical Fabian long serve as the author’s voice for delivering ironic observations of the world. These stories highlight the lingering absurdities of the previous Soviet regime, at the same time taking ironic aim at the triumphs and defeats, the virtues and vices of the Estonian intelligentsia.”

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Karoke Culture

"Finalist for the National Book Critics Circle Award in the category of Criticism.

Over the past three decades, Ugresic has established herself as one of Europe's greatest—and most entertaining—thinkers and creators, and it's in her essays that Ugresic is at her sharpest. With laser focus, she pierces our pop culture, dissecting the absurdity of daily life with a wit and style that's all her own.

Whether it's commentary on jaded youth, the ways technology has made us soft in the head, or how wrestling a hotel minibar into a bathtub is the best way to stick it to The Man, Ugresic writes with unmatched honesty and panache. Karaoke Culture is full of candid, personal, and opinionated accounts of topics ranging from the baffling worldwide-pop-culture phenomena to the detriments of conformist nationalism. Sarcastic, biting, and, at times, even heartbreaking, this new collection of essays fully captures the outspoken brilliance of Ugresic's insights into our modern world's culture and conformism, the many ways in which it is ridiculous, and how (deep, deep down) we are all true suckers for it."

A special thank you to book club member, Neha Mehta for the suggestion.

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Shebeen Tales

"'Beautifully written — a glimpse into a rarely seen African reality.' -Weekly Journal

Throughout southern Africa, shebeens are where jokes are born, news is embellished and exchanged. They are unique vantage points where men go after a day's work, both to escape from the troubled world around them and to observe and comment on it. In Shebeen Tales, Zimbabwe's leading author offers a view of his country not from the privileged and insulated perspective of a well-heeled visitor, but that of the ordinary person who, with the help of dry wit and illegal beer, pokes fun at the rich and mighty. Struggling against madcap motorists, pompous bureaucrats and the other woes of life in the city, the man in the shebeen sees modern Africa as it really is, not as press releases or tourist brochures would have us believe. Hove looks straight in the eye of a society suffering from AIDS, drought and economic hardship, but does not succumb to despair. With a wry sense of humor, he celebrates a people who live life to the full, laugh and sing, tell tall tales – whatever is thrown at them. In new pieces written for this edition, he discusses the vexed issue of homosexuality in Zimbabwe and also casts an amused eye at President Mugabe's wedding."

(A special thank you to book club member, Ivor Watkins for the suggestion.)

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