South Africa

A Change of Tongue

In times of fundamental change, people tend to find a space, lose it and the find another space as life and the world transform around them. 

What does this metamorphosis entail and in what ways are we affected by it? How do we live through it and what may we become on our journey toward each other, particularly when the space and places form which we depart are at least on the surface so vastly different?

Ranging freely and often wittily across many terrains, this brave book by one of South Africa s foremost writers and poets provides a unique and compelling discourse on living creatively in Africa today.

(A special thank you to book club member, Jennifer Koen for the suggestion.)

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Gardening at Night

Gardening at Night follows the unfolding of a young girl's life through a childhood filled with silences, through adolescence and young womanhood. It is about how much people are the total of their longings, how high drama can also be low comedy. It probes how much of the old century a girl should take with her into the new one, and examines the merging of families in the Eighties and their emerging into the florescence of the Nineties and beyond. It is especially the story of a girl's escape from a ghost town.

The South African mining town of Kimberley was created over a hundred years ago when men with buckets scraped out the insides of the earth like a thousand black dentists. Now it is a place where the only tales are those of leaving.

Gardening at Night is feisty, and funky, and funny. And even in moments of bleakness and shock Diane Awerbuck's brand of wry humour turns this unusual and amazing first novel into a remarkable reading adventure. This is a South Africa the international reader has not yet seen: the wood of smallness and ordinariness and quirkiness of everyday life hidden behind the trees of politics.” —André Brink, award-winning author

“This coming-of-age tale is the perfect debut, playing to the debutante's freshness and flaws, and Awerbuck has turned in a bittersweet example of the genre.” —Observer

(A special thank you to book club member, Jennifer Koen for the suggestion.)

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Best White and Other Anxious Delusions

Rebecca Davis has been described as one of the funniest writers in South Africa today. Her razor-sharp wit combines with her acute powers of observation to produce social and political commentary that will have you in stitches even as it informs and provokes you to think seriously about the topics she discusses.

“The pesky thing about history is that you can’t just take it off and hang it up, like a coat. In a generation’s time, maybe being a Best White will seem as outdated and irrelevant a performance as someone who arrives at work on rollerblades. Till then, you’ll find us checking our privilege. And then checking to make sure everyone’s noticed.” —Rebecca Davis, the author

“From start to finish, Davis’ bone-dry humour and clever wit makes her first dossier of anecdotes even more entertaining than Buzzfeed on any given day Best White and Other Anxious Delusions is, in one word: brilliant.” —W24

(A special thank you to book club member, Jennifer Koen for the suggestion.)

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Portrait with Keys

This dazzling portrait of Johannesburg is one of the most haunting, poetic pieces of reportage about a metropolis since Suketu Mehta’s Maximum City. Through precisely crafted snapshots, Ivan Vladislavic observes the unpredictable, day-today transformation of his embattled city: the homeless using manholes as cupboards, a public statue slowly cannibalized for scrap. Most poignantly he charts the small, devastating changes along the postapartheid streets: walls grow higher, neighborhoods are gated off, the keys multiply. Security—insecurity?—is the growth industry.

Vladislavic, described as “one of the most imaginative minds at work in South African literature today” (André Brink), delivers “one of the best things ever written about a great, if schizophrenic, city, and an utterly true picture of the new South Africa” (Christopher Hope).

“Surely one of the most ingenious love letters—full of violence, fear, humour, and cunning—ever addressed to a city.” —Geoff Dyer, multi award-winning author

(A special thank you to book club member, Jennifer Koen for the suggestion.)

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Charm

A unique South African urban fantasy focused on a gritty, magical Johannesburg filled with interesting, yet flawed characters…

Irene Kerry has grown up with the memory of her mother's suicide, and has been in love with her gay best friend Rain for as long as she can remember.

She thinks she's dealing with both just fine until the day her best friend falls in love with a much older man. A man who knew her mother, and believes Irene is a magician like her.

In order to protect her friend and family, Irene gets dragged into a hunt for an ancient magician who steals and eats magic, and discovers that the things she thought she knew about her mother's death were all lies.

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Welcome to Our Hillbrow

Welcome to Our Hillbrow is an exhilarating and disturbingride through the chaotic and hyper-real zone of Hillbrow—microcosm of all that is contradictory, alluring, and painful in the postapartheid South African psyche. Everything is there: the shattered dreams of youth, sexuality and its unpredictable costs, AIDS, xenophobia, suicide, the omnipotent violence that often cuts short the promise of young people’s lives, and the Africanist understanding of the life continuum that does not end with death but flows on into an ancestral realm.

Infused with the rhythms of the inner-city pulsebeat, this courageous novel is compelling in its honesty and its broad vision, which links Hillbrow, rural Tiragalong, and Oxford. It spills out the guts of Hillbrow—living with the same energy and intimate knowledge with which the Drum writers wrote Sophiatown into being.

“In Welcome to Our Hillbrow, Mpe captured the dislocation and despair of people who moved in the late ’90s from rural South Africa to Hillbrow, a rough neighborhood in downtown Johannesburg with overcrowded high-rises and a large population of immigrants from elsewhere in Africa. In the South African literary imagination, Hillbrow has come to represent everything frightening and promising about the new South Africa; it is at once a scene of drugs, crime and xenophobia toward immigrants and also what theorists enthusiastically call ‘Afropolitan,’ a space that transcends national boundaries.” —The New York Times

(A special thank you to book club member, Jennifer Koen for the suggestion.)

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The Elephant Whisperer

Lawrence Anthony devoted his life to animal conservation, protecting the world's endangered species. Then he was asked to accept a herd of "rogue" wild elephants on his Thula Thula game reserve in Zululand. His common sense told him to refuse, but he was the herd's last chance of survival: they would be killed if he wouldn't take them.

In order to save their lives, Anthony took them in. In the years that followed he became a part of their family. And as he battled to create a bond with the elephants, he came to realize that they had a great deal to teach him about life, loyalty, and freedom.

The Elephant Whisperer is a heartwarming, exciting, funny, and sometimes sad memoir of Anthony's experiences with these huge yet sympathetic creatures. Set against the background of life on an African game reserve, with unforgettable characters and exotic wildlife, Anthony's unrelenting efforts at animal protection and his remarkable connection with nature will inspire animal lovers and adventurous souls everywhere.

“…Anthony’s bone-deep mission is bracing and his courage is inspiring.” —Kirkus Reviews

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The Restless Supermarket

Winner of the South African Sunday Times Fiction Prize

It is 1993, and Aubrey Tearle’s world is shutting down. He has recently retired from a lifetime of proofreading telephone directories. His favourite neighbourhood haunt in Johannesburg, the Café Europa, is about to close its doors; the familiar old South Africa is already gone. Standards, he grumbles, are in decline, so bad-tempered, conservative Tearle embarks on a grandiose plan to enlighten his fellow citizens. The results are disastrous, hilarious and poignant.

A classic novel about the post-apartheid era, brimming with surprising perspectives, urban satire, riotous imagery and outrageous wordplay.

(A special thank you to book club member, Jennifer Koen for the suggestion.)

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Dragonfriend

Gold Award winner - 2016 Independent Publisher Book Awards

Stabbed. Burned by a dragon. Abandoned for the windrocs to pick over. The traitor Ra’aba tried to silence Hualiama forever. But he reckoned without the strength of a dragonet’s paw, and the courage of a girl who refused to die.

Only an extraordinary friendship will save Hualiama’s beloved kingdom of Fra’anior and restore the King to the Onyx Throne.

Flicker, the valiant dragonet. Hualiama, a foundling, adopted into the royal family. The power of a friendship which paid the ultimate price.

This is the tale of Hualiama Dragonfriend, and a love which became legend.

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Jock of the Bushveld

Jock of the Bushveld is the classic and much-loved story based on the true experiences of Sir Percy Fitzpatrick and his Staffordshire bull terrier, Jock.

The story begins in the 1880s, at the time of the South African gold rush, when a young Fitzpatrick worked as an ox-wagon transport rider in the old Transvaal. There he came across a man who was in the process of drowning a puppy, the runt of the litter. He saved the dog and the story of his ever-faithful and loving companion was born.

First published in 1907, Jock of the Bushveld has been reprinted many times since. Now, with a fresh and engaging cover, and in a new (and handy) medium-sized paperback format, this timeless South African classic retains the charm of the original story along with the original illustrations by Edmund Caldwell.

It will no doubt continue to be enjoyed by children and adults alike.

Please keep in mind that older books include some things nowadays considered unsavory, outdated, or wrong such as racism.

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Spud

Spud is one of those books which could easily be dismissed as nothing more than an adolescent read at first glance, but once you pick it up, it's almost as if the pages turn themselves. All in all, a wonderful book.” —Metrobeat

Spud is a scholarship student at an elite boys' boarding school in South Africa writing down his disturbing yet often hilarious exploits in his diary. As the year begins, the president decriminalizes the African National Congress and releases Nelson Mandela from prison, but not even these massive cultural changes can get pre-pubescent boys to think about something other than girls or stop them from playing tricks on one another.

John “Spud” Milton takes his first hilarious steps toward manhood in this delicious, laugh-out-loud boarding school romp, full of midnight swims, raging hormones, and catastrophic holidays that will leave the entire family in hysterics and thirsty for more.

“Funny, fast-paced, and wonderfully observant...” —The Daily News

“Funniest book of the year.” —The Citizen

Spud is South Africa's Catcher in the Rye.” —Alexander McCall Smith, author of the The No. 1 Ladies' Detective Agency

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The Story of an African Farm

The Story of an African Farm (first published in 1883) marks an early appearance in fiction of Victorian society’s emerging New Woman. The novel follows the spiritual quests of Lyndall and Waldo, who each struggle against social constraints in their search for happiness and truth: Lyndall, against society’s expectations of women, and Waldo against stifling class conventions.

Written from the margins of the British empire, the novel addresses the conflicts of race, class, and gender that shaped the lives of European settlers in Southern Africa before the Boer Wars.

Highly acclaimed ever since its first publication in 1883 for the bold manner in which it dealt with some of the issues of the day, it also caused some controversy over its frank portrayal of freethought, feminism, premarital sex, pregnancy out of wedlock, & cross dressing.

Please keep in mind that older books include some things nowadays considered unsavory, outdated, or wrong such as racism.

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Obsidian Worlds

Jason Werbeloff’s short stories have been downloaded over 50,000 times. Obsidian Worlds brings together his 11 best-selling sci-fi shorts into a mind-bending philosophical anthology.

In Your Averaged Joe, a man’s headache is large enough to hold the multiverse. Q46F is an obsessive-compulsive android who finds love in a zombie-embroiled apocalypse. The end of the world isn’t all that bad – The Experience Machine will fulfill your every desire (and some you hadn’t considered). A sex bot dares to dream of freedom in Dinner with Flexi. But mind what you eat, because The Photons in the Cheese Are Lost. Don’t fret though: The Cryo Killer guarantees that your death will be painless, or your money back when you’re thawed. Unless, that is, you’re The Man with Two Legs.

Plug into Obsidian Worlds for these and other immersive stories, including the hilarious Time-Traveling Chicken Sexer.

Your brain will never be the same again.

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Strong Medicine

Erin du Toit's 9-year old daughter has been kidnapped by Johannesburg's most powerful witchdoctor. Can Erin save her child before she's chopped up for muthi?

Erin’s first instinct is to go to the police, but the South African Police Force is paralyzed by corruption and overwhelmed by hundreds of open cases. Cases just like Erin’s.

Erin delves into the dark underbelly of Johannesburg to find the man who took her daughter. When she realizes that the police are protecting him, she must decide between disobeying a violent police force and giving up on her daughter.

Strong Medicine is an unsettling and engrossing jaunt through the high streets and back alleys of Johannesburg. Filled with memorably kick-ass women, a poignant take on suspended grief, and a plot that will keep you on your toes, this is the perfect book for late nights and bad dreams.” —Dirge Magazine

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Born a Crime

“The compelling, inspiring, and comically sublime story of one man’s coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed. Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth.

Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist.

It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The stories are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during a kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. ”

 “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism…What also helped was having a mother like Patricia Nombuyiselo Noah…Consider Born a Crime another such gift to her—and an enormous gift to the rest of us.” —USA Today

(Group read suggestion from Beth McCrea, book club co-founder.)

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Coconut

“An important rumination on youth in modern-day South Africa, this haunting debut novel tells the story of two extraordinary young women who have grown up black in white suburbs and must now struggle to find their identities.

The rich and pampered Ofilwe has taken her privileged lifestyle for granted, and must confront her swiftly dwindling sense of culture when her soulless world falls apart.

Meanwhile, the hip and sassy Fiks is an ambitious go-getter desperate to leave her vicious past behind for the glossy sophistication of city life, but finds Johannesburg to be more complicated and unforgiving than she expected.

These two stories artfully come together to illustrate the weight of history upon a new generation in South Africa.”

(A special thank you to book club member, Jennifer Koen for the group read suggestion.)

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Kaffir Boy

“Mark Mathabane was weaned on devastating poverty and schooled in the cruel streets of South Africa's most desperate ghetto, where bloody gang wars and midnight police raids were his rites of passage. Like every other child born in the hopelessness of apartheid, he learned to measure his life in days, not years.

Yet Mark Mathabane, armed only with the courage of his family and a hard-won education, raised himself up from the squalor and humiliation to cross the line between black and white and win a scholarship to an American university.”

“This is a rare look inside the festering adobe shanties of Alexandra, one of South Africa's notorious black townships. Rare because it comes from the heart of a passionate young African who grew up there.” — Chicago Tribune

”This extraordinary memoir of life under apartheid is itself a triumph of the human spirit over hatred and unspeakable degradation. For Mark Mathabane did what no physically and psychologically battered “Kaffir” from the rat-infested alleys of Alexandra was supposed to do —he escaped to tell about it. Powerful, intense, inspiring.” — Publishers Weekly

Note - As detailed by Merriam Webster: In South Africa, the use of the term kaffir to refer to a black African is a profoundly offensive & inflammatory expression of contemptuous racism that is sufficient grounds for legal action. The term is associated especially with the era of apartheid, when it was commonly used as an offensive racial slur, & its offensiveness has only increased over time. It now ranks as perhaps the most offensive term in South African English.

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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Long Walk to Freedom

“Nelson Mandela was one of the great moral and political leaders of his time: an international hero whose lifelong dedication to the fight against racial oppression in South Africa won him the Nobel Peace Prize and the presidency of his country.

After his triumphant release in 1990 from more than a quarter-century of imprisonment, Mandela was at the center of the most compelling and inspiring political drama in the world.

As president of the African National Congress and head of South Africa's antiapartheid movement, he was instrumental in moving the nation toward multiracial government and majority rule. He is still revered everywhere as a vital force in the fight for human rights and racial equality.

Long Walk to Freedom is his moving and exhilarating autobiography, destined to take its place among the finest memoirs of history's greatest figures. Here for the first time, Nelson Rolihlahla Mandela told the extraordinary story of his life—an epic of struggle, setback, renewed hope, and ultimate triumph.”

“The autobiography of global human rights icon Nelson Mandela is riveting…both a brilliant description of a diabolical system and a testament to the power of the spirit to transcend it.” —Washington Post

(A special thank you to book club member, Nicole Viola Hinz-Schouwstra for the group read suggestion.)

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Reclaiming the Soil

“The Rosie Motene story is about a young girl born to the Bafokeng nation during the apartheid era in South Africa.

At the time, Rosie’s mother worked for a white Jewish family in Johannesburg who offered to raise the child as one of their own. This generous gesture by the family created many opportunities for Rosie but also a trail of sacrifices for her parents.

As she grew, Rosie struggled to find her true identity.

She had access to the best of everything but as a black girl she floundered without her own culture or language.

This book describes Rosie’s journey through her fog of alienation to the belated dawning of her self-discovery as an African.”

“An extraordinary story of cultural confusion and the long way home to a black girl’s emotional roots.” —David Robbins

(Group read suggestion from Mia DeGiovine Chaveco, book club co-founder.)

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The Whale Caller

The Whale Caller, Zakes Mda's fifth novel, is his most enchanting and accessible book yet, a romantic comedy of sorts in which the changing face of post-apartheid South Africa is revealed through prodigious, lyrical storytelling.

As the novel opens, the seaside village of Hermanus, on the country's west coast, is overrun with whale watchers, foreign tourists wearing floral shirts and toting expensive binoculars, determined to see whales in their natural habitat. But when the tourists have gone home, the Whale Caller lingers at the shoreline, wooing a whale he calls Sharisha with cries from a kelp horn. When Sharisha fails to appear for weeks on end, the Whale Caller frets like a jealous lover-oblivious to the fact that the town drunk, Saluni, a woman who wears a silk dress and red stiletto heels, is infatuated with him.

After much ado—which Mda relates with great relish, the two misfits fall in love. But each of them is ill equipped for romance, and their on-again, off-again relationship suggests something of the fitful nature of change in post-apartheid South Africa, where just living from one day to the next can be challenge enough.

Mda has spoken of the end of apartheid as a lifting of the South African novelist's burden to write on political subjects. With The Whale Caller, he has written a tender, charming novel—the work of a virtuoso among international writers.”

“A voice for which one should feel not only affection but admiration.” —The NY Times

(Group read suggestion from Beth McCrea, book club co-founder.)

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